APE_CC’s Post

As an actor, I've found immense value in Constantin Stanislavski's seminal work "An Actor Prepares". This book offers profound insights into the craft of acting that transcend the stage. Here are some of the key takeaways that have resonated with me: 🍀 The Importance of Inner Life: Stanislavski emphasizes that true artistry in acting originates from the actor's internal process, not just external technique. Developing an actor's "inner life" through introspection, emotional connection, and imaginative exploration is crucial for authentic, compelling performances. 🍀 Purposeful Action: Every action an actor takes on stage must have a clear, defined purpose. Aimless, perfunctory movements disengage the actor and audience. Identifying the objective behind each action is essential. 🍀 Cultivating Attention: An actor's focus of attention is critical. Stanislavski teaches techniques to hone the ability to concentrate inwardly and outwardly, immersing oneself in the given circumstances. 🍀 Beyond the Role: While this book is geared towards actors, the principles of truth, intention, and self-awareness it espouses have profound applications for anyone seeking to bring more authenticity and presence to their work and life. "An Actor Prepares" is a transformative exploration of the craft that has inspired generations. I highly recommend it to any actor, or anyone seeking to deepen their connection to their work. This book became my #humancompass in my journey towards exploring being a better actor - Make it yours too. #actorslife #acting #bollywood #castingdirector

Tea Leoni's Height: How Tall is the Actress? This article examines Tea Leoni's acting career and accomplishments outside her physical characteristics, despite the public's fascination about her height. Learn about the impact of the media on public perceptions of celebrities, how to recognise artists for their genuine abilities, and about her varied filmography.

Ever notice how the most successful people still deal with self-doubt? Even Sir Roger Deakins - arguably the greatest cinematographer alive - recently said: "You doubt yourself everyday... I do." This hit me hard. Here's why: - We often think success eliminates insecurity - The truth? It just changes how we package it - The best performers make their doubts work FOR them The reality is, fear and insecurity never truly disappear. But that's not a bad thing. I unpack this in my latest newsletter - exploring how top performers in film, music, and business transform their insecurities into fuel for growth. Thoughts? Ever used your self-doubt as motivation? *Link in the comments*

So contemporary. More or less important; which movie begins with this sentence? #movies #reality #hyperreality #sentence #art

Just be yourself. Sounds easy enough, but is the hardest thing to do. In preparation for BETWEEN THE TWO OF US, our upcoming House of Beautiful Business festival in Tangier, Morocco (May 2–5), we caught up with two prolific film people: German-Luxembourgish actor Vicky Krieps (who had just wrapped up a project with legendary auteur Jim Jarmusch, co-starring Cate Blanchett and Charlotte Rampling) and Moroccan Filmmaker Maryam Touzani, who’ll be joining us in Tangier alongside her husband and creative partner, filmmaker and producer Nabil Ayouch. Their most recent project together, "The Blue Caftan," examines what it means to let yourself be seen by someone else, without a protective veneer. “Cinema is essential in opening something and building hope—opening our perception and changing the way we look at the other,” Touzani told us. A recent study by the Journal of Personality and Social Behavior shows that we’re more inclined to like people who show vulnerability. In fact, people who blush and embarrass themselves easily are often seen as more trustworthy and generous. This is known as the Beautiful Mess Effect. Krieps told us she never thinks of character as something separate from herself. As a performer, she focuses on staying present and open. There are several scenes in Krieps’ breakthrough "Phantom Thread" (she was cast opposite method acting powerhouse Daniel Day-Lewis) where you can see her doing nothing; the effect is so uncannily real that it’s almost uncomfortable to watch. *Being*, not acting, is a formidable challenge for an actor. “I can tell you that it’s really difficult not to act, because I tried to perform this circus trick where you don’t act, and I don't always achieve it, you know,” Krieps told us. “But I always try, honestly try, just be there and remove my ego and everything. Just be there, and only listen and only react.” Read more on #acting, #authenticity, and #leadership in this week’s Beauty Shot... https://lnkd.in/dyBK8xjd ...and in my most recent piece for Psychology Today:  https://lnkd.in/dbtDQdQe #beautifulbusiness #culture #movies #lifecenteredeconomy #presence #empathy #emotionalintelligence

DRAMATURGY: AUDIENCE, PRODUCER ASPIRATIONS, & DIRECTOR GOALS #dramaturgy #theatre #drama #theatreanddrama #speechanddrama #producerdirectorcommunication #audienceaspirations #quality #messagetothesociety #produceraspect #directoraspect #audiencedemand #qualitydelivery #harmony #happiness #mutualunderstanding #messagetostudents #passionforlove I would like to receive specific advice from an expert dramaturge regarding the content mentioned below. Case study: A novice and inexperienced director, who boasts a background as a seasoned drama actor, harbours aspirations of helming his inaugural theatrical production with the help of investment from a potential producer. Director's discerning choice falls upon the respectable classic 'Romeo and Juliet'. The meticulous refinement of the script remains pending. To cater to localisation sensibilities, an adept translation from the original English source is imperative. The quality of delivery to the audience is paramount, as expected by the producer. The director endeavours to secure the services of a capable producer (investment for the production), and serendipitously, one is forthcoming. The producer is required to familiarise not only with the narrative substance but also with the delineation of characters and their corresponding actors. However, the director maintains a deliberate reticence regarding the identities of the actors earmarked for each role. And never maintained good communication with the production aspect. The interpreter undertakes the translation under their (director and other professionals) guidance. However, discrepancies arise due to inadequate communication with the original source and the editors of the resource content (i.e. the editor of the original resource book). There were changes made solely by the director without obtaining permission from the original source. Is this ethical? There would be a single scene that depicts a character touching and lifting up the skirt of the female character, shouting 'She is a prostitute.' Is this ethical? The director's aspiration is to provide respect for females in society. It seems that this kind of attitude could not only destroy the desire of the audience but also fall short of the producer's expectations. Several constraints are apparent: the director fails to uphold effective communication with the producer, hindering mutual understanding and transparency at the outset of the drama's conception. This can lead to discouragement among potential investors in drama production in the future. Additionally, this kind of presentation will discourage audience demand. Reference: - LitCharts, (2014). Romeo and Juliet Translation. [online] Available at: https://lnkd.in/g7-QH8wr [Accessed 11 June 2024]. - Worcester, Lucas, (2015). ROMEO AND JULIET – Textual Adaptations. [online] Available at: https://lnkd.in/gx2TPeQs Accessed 11 June 2024].

I collected a quote this week and thought I'd share: David Lynch said this recently about what it takes to manage complex film productions. I think it applies to EVERYTHING where creativity and teams of people collide: "All egos, including mine, have got to be set one side. The idea must lead. And, once everyone is aligned behind the idea, everything will be alright." True for film productions, also true for any business and brand. You need an idea. Good ones don't come easy, and you won't find the one you need on the internet or coughed up by a Large Language Model (though they're a useful tool to get you there). I find it reassuring to hear this stuff that tallies with my own experience, especially from people at the top of the tree. I heard this from Mary Ann Hobbs on her radio show earlier in the week (yep, I'm a cliched 6Music Dad). It pays to keep to keep your eyes and ears open - the more you do it, the more likely you are to have that precious idea. As Paul Smith says, "You can find inspiration in everything. And, if you can't, look again." Two inspirational quotes from industry legends in one post? I'm spoiling you. 😊 #branding #creativeprocess #IQuoteOthersToBetterExpressMyself

Day 3/35: "Tomorrow, and tomorrow, and tomorrow" As you might have guessed from today's title, I watched the play 𝘔𝘢𝘤𝘣𝘦𝘵𝘩, written by William Shakespeare, at the National Theater of Korea today. For me, everything was perfect—the stage, the sound, and the acting. Watching the performance of 𝘔𝘢𝘤𝘣𝘦𝘵𝘩 reminded me of 𝘁𝗵𝗿𝗲𝗲 𝗸𝗲𝘆 𝗹𝗲𝘀𝘀𝗼𝗻𝘀 𝗮𝗯𝗼𝘂𝘁 𝗮𝗰𝘁𝗶𝗻𝗴: 1. 𝗔𝗻 𝗮𝗰𝘁𝗼𝗿 𝗺𝘂𝘀𝘁 𝘂𝘀𝗲 𝘁𝗵𝗲𝗶𝗿 𝘃𝗼𝗶𝗰𝗲, 𝗯𝗼𝗱𝘆, 𝗮𝗻𝗱 𝗺𝗼𝘃𝗲𝗺𝗲𝗻𝘁𝘀 𝗳𝗿𝗲𝗲𝗹𝘆 𝗮𝗻𝗱 𝗶𝗻𝘁𝗲𝗻𝘁𝗶𝗼𝗻𝗮𝗹𝗹𝘆. Their internal thoughts must be clearly delivered to the audience, who may be seated across three floors. Effective expression is crucial to captivate a large, diverse audience. 2. Being a good actor is not about being conventionally pretty or handsome. 𝗬𝗘𝗧, 𝗴𝗼𝗼𝗱 𝗮𝗰𝘁𝗼𝗿𝘀 𝗽𝗼𝘀𝘀𝗲𝘀𝘀 𝗮𝗻 𝘂𝗻𝗱𝗲𝗻𝗶𝗮𝗯𝗹𝗲 𝗽𝗿𝗲𝘀𝗲𝗻𝗰𝗲 𝗼𝗻 𝘀𝘁𝗮𝗴𝗲 𝗮𝗻𝗱 𝘀𝗰𝗿𝗲𝗲𝗻. Experienced actors exude a unique energy that makes them stand out. Their voice, eyes, and posture have an inherent attractiveness essential for their craft. 3. 𝗧𝗵𝗲𝘀𝗲 𝘁𝗿𝗮𝗶𝘁𝘀 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗰𝗾𝘂𝗶𝗿𝗲𝗱 𝗼𝘃𝗲𝗿𝗻𝗶𝗴𝗵𝘁. The journey of an actor often involves a period of obscurity, a time for growth and gaining experience. This period is essential for becoming a seasoned professional. While watching the great actors today, I realized I don't need to rush or expect to improve immediately. While training myself relentlessly, I should enjoy the gradual progress. Read this post and more on my Typeshare Social Blog: https://lnkd.in/gNvdT9Kr

This is part 3 of my illustration and motion work for the film "Majnoun and the Wind" by Gita Aslani Shahrestani. The music for the film is composed by Rafael Bernabeu García. #MajnounAndTheWind #FilmCollaboration #Illustration #MotionDesign

🎭✨ "Results are important, but the way they are achieved, the process, is equally important." – Robert Greene💡 We learn that success isn’t just about the final masterpiece in the arts. It’s about the journey—the practice, the dedication, the setbacks, and the growth. Whether mastering a dance move, perfecting a musical piece, or crafting a painting, the process teaches us patience, resilience, and self-expression. 🎨🎶 The arts remind us that the path to success is as meaningful as the destination. 🌱 Ready to experience the power of the process? Join us at ExperienceTheGood.org for programs that blend creativity and personal growth. ✨ #ExperienceTheGood #CreativeJourney #ArtsAndGrowth #MentalFitness #ProcessOverPerfection