Here’s to a Happy New Year as magical as Mozart’s operas! 🪄 #MeetOpera #HappyNewYear #Mozart THE MAGIC FLUTE at Florida Grand Opera* Cast and Creative Team: Tamino: Ricardo Garcia First Lady: Avery Boettcher Second Lady: Mary Burke Barber Third Lady: Monique Galvão Papageno: Alex DeSocio Queen of the Night: Laura León Monostatos: David Margulis Pamina: Sara Kennedy 1st Spirit: Kornel Racz 2nd Spirit: Christian Burbach 3rd Spirit: Sophia Cavaretta Speaker: Neil Nelson Sarastro: Andrew Potter 1st Priest/1st Armored Man: James Mancuso 2nd Priest/2nd Armored Man: Alexander Kolyszko Papagena: Sydney Dardis Conductor: Christine Brandes Assistant Conductor: Felix Jarrar Chorus Master: Jared Peroune Director: Jeffrey Buchman Choreographer: Rosa Mercedes Scenic Designer: Stephan Moravski Costume Designer: Camilla Haith Wig and Make-up Designer: Brittany Rappise Lighting Designer: Robert Wierzel Video Designer: Greg Emetaz English Titles: Karl Hesser Spanish Titles: Dreambay Enterprises *Enrolled in Opera Passport by OPERA America (Credit: Lewis Valdes)
OPERA America
Performing Arts
New York, NY 7,489 followers
OPERA America leads and serves the opera community, supporting the creation, presentation, and enjoyment of opera.
About us
OPERA America leads and serves the entire opera community, supporting the creation, presentation, and enjoyment of opera. Founded in 1970, OPERA America has a membership that includes over 600 opera companies, educational institutions, affiliated businesses, and other entities. More than 40,000 staff members, artists, and trustees at these organizations join nearly 3,000 individual members in empowering us as the national champion for opera. Through national convenings, research, advocacy, granting, thought leadership, and a variety of programs for artists, administrators, educators, trustees, and appreciators, we move opera forward as an industry and an art form. The quarterly Opera America Magazine highlights the progress of the sector and the impact of more than $15 million in strategic grants we have awarded to increase new work, audience engagement, civic practice, business innovation, and inclusivity. The National Opera Center, our custom-built rehearsal and performance facility in New York City, serves as the centralized home for the industry, welcoming 80,000 visitors each year.
- Website
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http://www.operaamerica.org
External link for OPERA America
- Industry
- Performing Arts
- Company size
- 11-50 employees
- Headquarters
- New York, NY
- Type
- Nonprofit
- Founded
- 1970
Locations
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Primary
Get directions
330 Seventh Avenue
New York, NY 10001, US
Employees at OPERA America
Updates
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Still need a place to rehearse this week? Check out the holiday hours this week at our National Opera Center. Monday, December 30: 10 a.m. - 10 p.m. Tuesday, December 31: CLOSED Wednesday, January 1: CLOSED Thursday, January 2: 10 a.m. - 10 p.m. Friday, January 3: 10 a.m. - 10 p.m. Saturday, January 4: 10 a.m. - 10 p.m. And if we don't see you until January — Happy New Year! 🎆
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What do NOSFERATU and opera have in common? To prepare for the title role in the upcoming film, actor Bill Skarsgård worked with Icelandic mezzo-soprano Ásgerður Júníusdóttir, who helped him lower his vocal range and develop a deeper voice for his character. Will you be seeing the horror film this holiday season? 🧛 #NOSFERATU
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Stopping by OPERA America's National Opera Center this week? Take note of our holiday closures before you drop in! Sunday, December 22: 10 am - 10 pm Monday, December 23: 10 am - 10 pm Tuesday, December 24: CLOSED Wednesday, December 25: CLOSED Thursday, December 26: 10 am - 10 pm Friday, December 27: 10 am - 10 pm Saturday, December 28: 10 am - 10 pm Happy Holidays! ⭐️
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Hot off the press! 🔥 The latest issue of Opera America Magazine is now available! Explore articles that delve into opera education in a digital age, and bring to light the important discussion around female leadership in our industry — not to mention “My First Opera” with choreographer Deborah Colker! Read the cover story, "American Tales" by David Patrick Stearns, investigating the traits of American repertoire. Non-members, don’t miss this chance to access featured articles for free until Friday, January 27, 2025! Find the latest issue at operaamerica.org/Winter25 #OperaAmericaMagazine Photos: 1. MOBY-DICK composed Jake Heggie and libretto by Gene Scheer at Pittsburgh Opera in 2018 (photo: David Bachman Photography) 2. GROUNDED composed by Jeanine Tesori and libretto by George Brant at The Met Opera (credit: Ken Howard) 3. LITTLE WOMEN by Mark Adamo at Pittsburgh Opera 2016 (credit: David Bachman) 4. THE GRAPES OF WRATH by Ricky Ian Gordon and libretto by Michael Korie at Opera Theatre Saint Louis (photo: Ken Howard)
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Enjoy the National Opera Center’s Charles MacKay Studio at a premium studio rate when booking up to 7 days in advance* — saving you up to $50 per hour! 💸 With our new Week-Of Rates for MacKay, you can reserve this spacious studio with a basic setup, including a Yamaha 5'3" grand piano, two tables, 15 music stands, and 15 chairs. The Week Of booking accommodates up to 12 people. Head to operaamerica.org/NOC to make a reservation this week! *Restrictions apply — please speak to one of our Customer Service Associates for details or email Reservation@operaamerica.org
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Advice for singers from Anthony Roth Costanzo! Anthony shares his thoughts on how he would approach auditions differently with the knowledge he has gained throughout his career — are you surprised by his answer?
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Mark your calendars for Tuesday, January 14, at 3:00 p.m. ET! 📆 Join us for a free webinar, "Looking Ahead: Advocacy in the 119th Congress," for a discussion about the impact of the 2024 election results on the opera field and the broader arts and culture sector. Megan Carpenter (OPERA America) will be chatting with Jessica Mendieta (National Council of Nonprofits) and Heather Noonan (League of American Orchestras) about how to nonprofits can shape advocacy strategies for engaging with the 119th Congress in the years ahead. Interested? Register at https://lnkd.in/eub58Gzn — see you there!