Wikipedia

McCoy Tyner

Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist and composer known for his work with the John Coltrane Quartet from 1960 to 1965, and his long solo career afterwards.[1] He was an NEA Jazz Master and five-time Grammy Award winner. Tyner has been widely imitated, and is one of the most recognizable and influential jazz pianists of all time.[2]

McCoy Tyner
Tyner in 1973
Tyner in 1973
Background information
Birth nameAlfred McCoy Tyner
Born(1938-12-11)December 11, 1938
Philadelphia, Pennsylvania, U.S.
DiedMarch 6, 2020(2020-03-06) (aged 81)
Bergenfield, New Jersey, U.S.
Genres
Occupations
  • Musician
  • composer
InstrumentPiano
Years active1960–2020
Labels
Formerly ofThe Jazztet
Spouse
Aisha Saud
​
(divorced)​
Websitemccoytyner.com
RelativesJarvis Tyner (brother)

Early life and education

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Tyner was born December 11, 1938 [3][4] in Philadelphia, Pennsylvania, the eldest of Jarvis and Beatrice (née Stevenson) Tyner's three children.[5]

Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. When he was 13, Tyner began piano lessons at Granoff School of Music, where he also studied music theory and harmony. By the time he was 15, music had become the focal point of his life.[6][7]

Tyner's decision to study piano was reinforced when he encountered bebop pianist Bud Powell, a neighbor of the Tyner family.[8] Another major influence on Tyner's playing was Thelonious Monk, whose percussive attacks would inform Tyner's signature style.[4] During his teens, Tyner led his own group, the Houserockers.[9]

When he was 17, Tyner converted to Ahmadiyya and changed his name to Suleiman Saud.[10][11]

Career

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Tyner at Keystone Korner in San Francisco, in March 1981
 
Tyner with Ravi Coltrane at the Newport Jazz Festival in Newport, Rhode Island, in August 2005
 
Tyner with his quartet at Jazz Alley in Seattle, in April 2012

Tyner played professionally in Philadelphia, becoming part of its modern jazz scene.[5] In 1960, he joined The Jazztet led by Benny Golson and Art Farmer. Six months later, he joined the John Coltrane quartet, which included drummer Elvin Jones and bassist Steven Davis. He worked with the band during its extended run at the Jazz Gallery, replacing Steve Kuhn.[8][12] Coltrane had known Tyner for a while growing up in Philadelphia,[13] and recorded Tyner's composition "The Believer" on January 10, 1958, which later became the title track of Prestige Records' 1964 issued album under Coltrane’s name.[14][15]

The band toured almost non-stop between 1961 and 1965, recording many albums widely considered jazz classics including My Favorite Things (1961) for Atlantic Records and Coltrane "Live" at the Village Vanguard (1962), Ballads (1963), John Coltrane and Johnny Hartman (1963), Live at Birdland (1964), Crescent (1964), A Love Supreme (1964), and The John Coltrane Quartet Plays (1965), for Impulse! Records.[16]

While in Coltrane's group, Tyner recorded albums in a piano trio. In late 1962
and the first half of 1963, Tyner was asked by producer Bob Thiele to record more straightforward jazz albums as a leader. These included Reaching Fourth (1963), Today and Tomorrow (1964), and McCoy Tyner Plays Ellington (1965).

In a 2017 review, Marc Myers of JazzWax said "...the finest of these straightforward piano recordings was Nights of Ballads & Blues. Tyner's playing is exciting and exceptional on all of the tracks... On the album, he exhibits a reserved elegance and tenderness that reveals the other side of his personality—a lover of melody and standards. In this regard, there are traces of Oscar Peterson in his playing. Perhaps Thiele was using Tyner to take a bite out of Peterson's vast and successful early-'60s share of the jazz market."[17]

Tyner also appeared as a sideman on many Blue Note Records albums of the 1960s, although he was often credited as "etc." on the cover of these albums to respect his contract with Impulse!.[8]

Tyner's playing style developed in close contact with Coltrane.[18] His style of piano is comparable to Coltrane's maximalist style on saxophone.[8] Writing in 2019, Sami Linna at the University of the Arts Helsinki noted that Coltrane described the two different directions in his playing as: "playing chordally (vertically) or melodically (horizontally)". Linna suggests: "Tyner would eventually find a way of dealing with the two directions simultaneously, in a manner that was supportive and complementary yet original and slightly different from Coltrane's approach."

After 1960, Coltrane did not hire anyone as a replacement if Tyner was not available; between the time Tyner joined the group (around the end of May 1960) and left (December 1965), there was no other pianist accompanying Coltrane.[18]

Tyner's involvement with Coltrane ended in 1965. Coltrane's music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones. Tyner commented: "I didn't see myself making any contribution to that music... All I could hear was a lot of noise. I didn't have any feeling for the music, and when I don't have feelings, I don't play".[19]

In 1966, Tyner rehearsed with a new trio and embarked on a career as a bandleader.[20] Tyner produced a series of post-bop albums released by Blue Note between 1967 and 1970. These included The Real McCoy (1967), Tender Moments (1967), Time for Tyner (1968), Expansions (1968) and Extensions (1970). He signed with Milestone Records and recorded such albums as Sahara and Echoes of a Friend (1972), Enlightenment (1973), and Fly with the Wind (1976), which included flautist Hubert Laws, drummer Billy Cobham, and a string orchestra.[21]

His music for Blue Note and Milestone often used the music of the Coltrane quartet as a starting point. Tyner also incorporated African and East Asian elements in his music. On Sahara, he played koto in addition to piano, flute, and percussion. These albums have been cited as examples of innovative 1970s jazz that was neither fusion nor free jazz. On Trident (1975) Tyner played the harpsichord and celeste, instruments rarely heard in jazz.[22] Unlike many jazz keyboardists of his generation, Tyner rarely incorporated electric keyboards or synthesizers into his work.

During the '80s and '90s, Tyner performed in a trio including Avery Sharpe on bass[23] and Louis Hayes,[24] then Aaron Scott, on drums.[25] He also recorded some solo albums for the Blue Note label, beginning with Revelations (1988)[26] and culminating in Soliloquy (1991).[27] After signing with Telarc, he recorded with several other trios. These included Charnett Moffett on bass and Al Foster on drums. In 2008, he toured with a quartet of Gary Bartz, Gerald L. Cannon, and Eric Gravatt.[9]

Personal life

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Tyner married Aisha Saud; they had three sons. The marriage ended in divorce.[28][29]

Tyner's younger brother Jarvis Tyner was executive vice-chairman of the Communist Party USA.[30]

Death

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Tyner died at his home in Bergenfield, New Jersey, on March 6, 2020. He was 81.[28][2] No cause of death was given, but he had been in ill health.[31]

Influence and playing style

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Tyner is considered to be one of the most influential jazz pianists of the late 20th century, an honor he earned during and after his time with Coltrane.[32]

Tyner, who was left-handed, played with a low bass left hand and raised his arm high above the keyboard for an emphatic attack. His right-hand soloing was detached and staccato. His melodic vocabulary was rich, ranging from raw blues to complex superimposed pentatonic scales; his approach to chord voicing (most characteristically by fourths) influenced contemporary jazz pianists, such as Chick Corea.[33] Some of his harmonic modal techniques have been connected to Claude Debussy's piano repertory.[34]

Bob Weir, rhythm guitarist for the Grateful Dead, has listed Tyner as an influence on his playing.[35]

Awards and honors

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Tyner was named a 2002 NEA Jazz Master by the National Endowment for the Arts.[6] He won five Grammy Awards: for The Turning Point (1992) and Journey (1993) and best instrumental jazz album for Illuminations (2004), Infinity (1995), and Blues for Coltrane: A Tribute to John Coltrane (1987).[36]

Tyner was awarded an Honorary Doctorate of Music from Berklee College of Music at the Sala dei Notari during the Umbria Jazz Festival.[37] Tyner was a judge for the 6th, 10th[38] and 11th annual Independent Music Awards.[39]

Discography

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Main article: McCoy Tyner discography

References

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  1. ^ "McCoy Tyner Biography". Mccoytyner.com. September 11, 2007. Archived from the original on May 9, 2008. Retrieved June 25, 2012.
  2. ^ a b Ratliff, Ben (March 6, 2020). "McCoy Tyner, Jazz Piano Powerhouse, Is Dead at 81". The New York Times. Retrieved March 6, 2020.
  3. ^ Waters, Keith (2015). "Tyner, (Alfred) McCoy". Grove Music Online. doi:10.1093/gmo/9781561592630.article.a2276732. ISBN 9781561592630.
  4. ^ a b Williams, Sonya (February 7, 1999). "McCoy Tyner: The Pianist". NPR. Retrieved January 3, 2021.
  5. ^ a b Chinen, Nate (March 6, 2020). "McCoy Tyner, Groundbreaking Pianist Of 20th Century Jazz, Dies At 81". NPR. Retrieved March 7, 2020.
  6. ^ a b "McCoy Tyner". National Endowment for the Arts. 2002. Retrieved March 7, 2020.
  7. ^ Milkowski, Bill (March 6, 2020). "In Memoriam: McCoy Tyner". Downbeat. Retrieved November 13, 2022.
  8. ^ a b c d Yanow, Scott. "McCoy Tyner". AllMusic. Retrieved September 22, 2018.
  9. ^ a b Heckman, Don (March 6, 2020). "McCoy Tyner, jazz piano legend who played with Coltrane, dead at 81". The Los Angeles Times. Retrieved March 7, 2020.
  10. ^ Aidi, Hisham (December 9, 2014). "Did Coltrane say 'Allah Supreme'?". www.aljazeera.com. Retrieved January 3, 2021.
  11. ^ Turner, Richard Brent (2003). Islam in the African American Experience. Indiana University Press. p. 140. ISBN 978-0-253-21630-4. Retrieved June 25, 2012.
  12. ^ "John Coltrane Quartet | Biography & History". AllMusic. Retrieved August 5, 2020.
  13. ^ "- The Washington Post". Washington Post.
  14. ^ Nisenson, Eric (August 5, 2009). Ascension: John Coltrane And His Quest. Hachette Books. p. 87. ISBN 978-0-7867-5095-5.
  15. ^ Porter, Lewis; Chris DeVito; David Wild; Yasuhiro Fujioka; Wolf Schmaler (April 26, 2013). The John Coltrane Reference. Routledge. pp. 502–503. ISBN 978-1-135-11257-8.
  16. ^ Larkin, Colin (May 27, 2011). The Encyclopedia of Popular Music. Omnibus Press. p. 271. ISBN 978-0-85712-595-8.
  17. ^ "McCoy Tyner: Ballads & Blues – JazzWax". www.jazzwax.com. July 18, 2017. Retrieved March 8, 2020.
  18. ^ a b Linna, Sami. McCoy Tyner, Modal Jazz, and the Dominant Chord (PDF). Sibelius Academy at University of the Arts Helsinki. p. 33. ISBN 978-952-329-140-9.
  19. ^ Porter, John Coltrane: His Life and Music, p. 266.
  20. ^ Porter, John Coltrane: His Life and Music, p. 268.
  21. ^ "Fly with the Wind – McCoy Tyner | Credits". AllMusic.
  22. ^ Yanow, Scott. Trident at AllMusic. Retrieved September 4, 2011.
  23. ^ "Avery G. Sharpe | Music". music.williams.edu.
  24. ^ Wilson, John S. (January 13, 1986). "Jazz: Mccoy Tyner's Trio Performs". The New York Times.
  25. ^ "McCoy Tyner trio's Concert & Tour History | Concert Archives". www.concertarchives.org.
  26. ^ "Revelations – McCoy Tyner | Songs, Reviews, Credits". AllMusic.
  27. ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1427. ISBN 978-0-14-103401-0.
  28. ^ a b Schudel, Matt (March 6, 2020). "McCoy Tyner, titan of jazz piano who helped propel Coltrane quartet, dies at 81". Washington Post. Retrieved January 3, 2021.
  29. ^ "Remembering McCoy Tyner, the titan of jazz piano who helped to propel the John Coltrane Quartet". Independent.co.uk. March 30, 2020. Archived from the original on May 12, 2022.
  30. ^ Ratliff, Ben (August 29, 2010). "McCoy Tyner Honors Charlie Parker at Marcus Garvey Park". The New York Times. Retrieved September 22, 2018.
  31. ^ "McCoy Tyner 1938 – 2020". JazzTimes. March 7, 2020. Retrieved October 28, 2020.
  32. ^ McNally, Owen (August 3, 1999). "McCoy Tyner: A Long Way From Mom's Beauty Parlor". Los Angeles Times. Retrieved March 7, 2020.
  33. ^ "McCoy Tyner's Revolution". Do the Math. December 10, 2018.
  34. ^ Pamies (2021). "Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists". Jazz Education in Research and Practice. 2 (1): 76–105. doi:10.2979/jazzeducrese.2.1.06. JSTOR 10.2979/jazzeducrese.2.1.06. S2CID 234117087.
  35. ^ Slater, Rob (August 10, 2015). "Bob Weir Talks His Musical Role in the Grateful Dead". Relix. Retrieved March 2, 2023.
  36. ^ "GRAMMY Awards Winners & Nominees for Best Instrumental Jazz Album". Recording Academy. Retrieved March 7, 2020.
  37. ^ "Hank Jones, Mccoy Tyner, Enrico Rava Honored by Berklee College of Music at Umbria Jazz", Jazz News, 2005.
  38. ^ "Independent Music Awards – 6th Annual Judges". IndependentMusicAwards.com. October 5, 2009. Archived from the original on October 5, 2009. Retrieved June 25, 2012.
  39. ^ "11th Annual IMA Judges. Independent Music Awards. Retrieved September 4, 2013.
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