Giada Daolio’s Post

An Invitation to My World (virtual exhibition in UE5) My first attempt to demolish the physical barrier in-between art and viewers through the use of virtual spaces, video editing, and QR codes. This project was my response of my frustration over the lock down during the pandemic when galleries were closed and opportunities were limited to both artists as well as viewers. - Created, rendered, and shot in UE5 - Edited in Premier Pro - Cooked in Media Encoder

Join us in the second session of CIDOC FRIDAYs WEBINAR SERIES: Tools and standards available 26.04.2024. Jonathan Ward (editor senior, J.P. Getty Trust) and Emmanuelle Delmas-Glass (Head of Collections Information Access, Yale Centre for British Art) Documentation defines how an object may be viewed. In the case of objects depicting an image, layers of complexity emerge when decisions are made regarding what to document: the object, the image, or the object as carrier of an image. When questions arise regarding the documentation of audiovisual materials, where do museum professionals turn for concise and effective guidance?  Join us as experts from the Getty and Yale Centre for British Art share the most essential resources to assist you in your documentation endeavours. Gain access to the shortest and most effective tools available, equipping you with the knowledge and skills needed to navigate the complexities of audiovisual material documentation with confidence. Event Timing: 17.00 CET Language of the session: English Online series, no cost Organizers: CIDOC and ICOM Georgia collaborate together for this online seminar series on the last Friday of the month at 17.00 CET. Registration: https://lnkd.in/egJfiv64 Complete description of the webinar in English: https://lnkd.in/e6pTRGMr Información completa del webinar en español: https://lnkd.in/epCMkWhJ

ما هو زمن الترداد المناسب؟ How much reverberation is acceptable, let's say recommended? Watch this video in arabic about the recommended Reverberation Time RT60: The video link is in the first comment شاهد هذا المقطع باللغة العربية المقطع في أول تعليق #acoustics #architecture #noise #sound #audio #reverberation

Are you planning to submit a project for Toronto’s Nuit Blanche 2025? This year’s theme, “Translating the City,” invites you to explore and reimagine urban landscapes through innovative art. Whether you’re working with digital or physical interfaces, interactive installations, or other technology-driven art forms, we're here to help you secure the funding you need! Why Work With art+pi? Grant Writing: With years of experience in crafting proposals, we can help you articulate your vision and align it with funding criteria. Tech Integration: Specializing in projects that merge art and technology, we can guide you in highlighting the innovative aspects of your work. Tailored Support: From brainstorming ideas to finalizing your application, we’ll provide personalized assistance every step of the way. Important Dates: Information Sessions: November 21 & 28, 2024 Grant Application Deadlines: December 6th, 2024, so let’s get started soon! Nuit Blanche 2025: October 4-5, 2025 Let’s bring your artistic vision to life and make a lasting impact on Toronto’s vibrant art scene. Reach out today to discuss your project and how we can secure the funding you need! #NuitBlanche2025 #ArtAndTechnology #TorontoArt #TranslatingTheCity City of Toronto https://lnkd.in/gA_wdqBF

Observational drawing plays a powerful role in artistic training. But what is it and which observational and drawing techniques are most effective? Learn more in our latest blog. ➡️ https://ow.ly/v6EW50RGr7n

Mon premier article revu par les pairs tiré de mon mémoire de maîtrise ! 😊 🧑🎓 My first peer-reviewed article from my master’s thesis! Pour le numéro 2 du journal Live Interfaces, j'ai préparé l'article − The Interface as Artwork: Creating Interactive Installations Based on Encounter and Somatic Experience https://lnkd.in/eBadWf-W In this media-rich article we emphasise the role of the body in aesthetic experience, while using a related conceptual framework to explore interfaces in digital art. We introduce two interactive installations, ON/CONTACT and EN/GLOBE, which invite audiences to experience the interface as a site of encounter. To frame the concept of the interface as a device that transcends functional control, we draw on the theoretical work of David Rokeby, a contemporary Canadian artist. In doing so, we demonstrate how our multimodal installations – which engage vision, audition and haptics – encourage participants to interact and express themselves, highlighting the interface’s potential as an agent of exploration rather than mere functional subordination. Reviewers: André Sier || Jo Scott ***Un grand MERCI à Adriana Sà pour son fabuleux travail d'édition*** https://adrianasa.org/ Live Interfaces, Volume 2 https://lnkd.in/e4vEXuwR

QR codes are transforming art. But not just as digital gateways. They're becoming the art itself. → Artists are integrating QR codes directly into paintings, sculptures, and installations ↳ Blending technology with traditional mediums ↳ Creating interactive experiences for viewers → QR code art adds layers of meaning ↳ Scan to reveal hidden messages or additional content ↳ Connect physical art to digital worlds → This fusion opens new possibilities for artists ↳ Expand storytelling beyond the canvas ↳ Engage audiences in novel ways → Challenges arise in balancing aesthetics and functionality ↳ Codes must be visually appealing yet scannable ↳ Artists experiment with color, shape, and integration techniques → Museums and galleries are embracing this trend ↳ Offering visitors deeper insights into exhibits ↳ Providing audio guides, artist interviews, or behind-the-scenes content QR code art is bridging the gap between physical and digital realms, revolutionizing how we create and experience art. PS: How might QR codes change your artistic expression?

QR codes are transforming art. But not just as digital gateways. They're becoming the art itself. → Artists are integrating QR codes directly into paintings, sculptures, and installations ↳ Blending technology with traditional mediums ↳ Creating interactive experiences for viewers → QR code art adds layers of meaning ↳ Scan to reveal hidden messages or additional content ↳ Connect physical art to digital worlds → This fusion opens new possibilities for artists ↳ Expand storytelling beyond the canvas ↳ Engage audiences in novel ways → Challenges arise in balancing aesthetics and functionality ↳ Codes must be visually appealing yet scannable ↳ Artists experiment with color, shape, and integration techniques → Museums and galleries are embracing this trend ↳ Offering visitors deeper insights into exhibits ↳ Providing audio guides, artist interviews, or behind-the-scenes content QR code art is bridging the gap between physical and digital realms, revolutionizing how we create and experience art. PS: How might QR codes change your artistic expression?

QR codes are transforming art. But not just as digital gateways. They're becoming the art itself. → Artists are integrating QR codes directly into paintings, sculptures, and installations ↳ Blending technology with traditional mediums ↳ Creating interactive experiences for viewers → QR code art adds layers of meaning ↳ Scan to reveal hidden messages or additional content ↳ Connect physical art to digital worlds → This fusion opens new possibilities for artists ↳ Expand storytelling beyond the canvas ↳ Engage audiences in novel ways → Challenges arise in balancing aesthetics and functionality ↳ Codes must be visually appealing yet scannable ↳ Artists experiment with color, shape, and integration techniques → Museums and galleries are embracing this trend ↳ Offering visitors deeper insights into exhibits ↳ Providing audio guides, artist interviews, or behind-the-scenes content QR code art is bridging the gap between physical and digital realms, revolutionizing how we create and experience art. PS: How might QR codes change your artistic expression?