Creative Scotland

Creative Scotland

Non-profit Organizations

Public body that supports the arts, screen and creative industries across Scotland.

About us

Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here. We do this through funding, development, advocacy and influence and we distribute funding from the Scottish Government and the National Lottery. We want Scotland to be a country where excellence and experimentation across the arts, screen and creative industries is recognised and valued; everyone can access and enjoy artistic and creative experiences; places and quality of life are transformed through imagination, ambition and an understanding of the potential of creativity; ideas are brought to life by a diverse, skilled and connected leadership and workforce; Scotland is a distinctive creative nation connected to the world. For further information on Creative Scotland please visit www.creativescotland.com.

Website
http://www.creativescotland.com
Industry
Non-profit Organizations
Company size
51-200 employees
Headquarters
Edinburgh
Type
Government Agency

Locations

Employees at Creative Scotland

Updates

  • Delighted to be able to support the Immersive Arts fund thanks to The National Lottery - good luck to all who applied and see you for round 2 in 2025 🔔

    View organization page for Immersive Arts UK, graphic

    2,555 followers

    Reflections on Immersive Arts deadline - round one Earlier this month, Immersive Arts closed its first round of open calls for artists looking to engage with immersive technologies. We were offering three levels of grant funding: Explore - £5,000  Experiment - £20,000  Expand - £50,000 These funds have been designed to support artists at different stages of their development, aiming to meet them where they are, giving them access to the resources they may need to extend their practice, and to develop immersive artworks that use technology to actively engage an audience. Immersive Arts is made up of a consortium of ten partners and five funders who have been deeply embedded within the arts and culture, and the immersive tech sector for many years. We had a few ‘educated hunches’ about what might be useful and what the demand might be. However, until the application deadline, we had no real way of knowing what level of interest there would be from the UK creative community. The result out-paced almost all of our estimates. Overall, we received 2517 applications from artists around the UK, spread across the three levels of grant funding. What does this mean? We are now beginning the process of carefully reviewing each of the applications, working with assessors who bring a broad range of experiences and expertise to the process. We will share some of our key learnings at the conclusion of this process. In the meantime, the volume of applications tells us two important things: 1. There is a huge community of artists based in the UK who are keen to work with immersive technology as a creative toolset. This interest seems to exist within all four nations of the UK and across a wide range of artforms and experiences. 2. There is significantly more need than a programme at the scale of Immersive Arts can meet. This means that a lot of people will have put time, thought, care and effort into developing proposals that will not be funded in this round. We take this seriously and are working closely with others in the sector and with policymakers to think about how this level of unmet need might be addressed in the future. Thank you to all of you who have submitted proposals and trusted us with your ideas. Although we endeavour to make our systems as accessible as possible, we fully understand that the process of putting together a funding application can be rough. Whether you are successful in this round or not, we deeply appreciate that you engaged with this new programme, and we are delighted that you have come forward as part of a trail-blazing new generation of UK artists working in the immersive arts. Immersive Arts will be opening our second round of funding in Spring 2025, and artists will be eligible to apply, regardless of whether or not they applied in the first round. We also have a year-round programme of events, training and research activity. Join the mailing list to stay in touch. https://lnkd.in/ef5yxSmd

  • Following a successful kick-off meeting held in November in Barcelona which brought together all consortium members to collaborate, exchange ideas, and form bonds and with a budget of nearly €4 million, AMPLIFY will run for the next 36 months. Coordinated by Vicomtech , this project counts on a total of 14 partners: Fundació del Gran Teatre del Liceu, Cooperativa Paulo Lameiro CRL, Toscana Produzine Musica ETS, Fèisean nan Gàidheal, Centrum Wiskunde & Informatica, Technological University of the Shannon, Salsa Sound, Norges teknisk-naturvitenskapelige universitet (NTNU), François Matarasso, Europe Jazz Network, F6S Innovation, LAST TOUR and Stichting Nederlands Instituut voor Beeld in Geluid. AMPLIFY's mission is to develop two groundbreaking tools, powered by Artificial Intelligence and Extended Reality technologies, that will unite communities through music, transcending geographical boundaries and fostering collaboration in creative spaces. 🌟 AMPLIFY PORTABLE will allow musicians to play, learn and perform music together from anywhere 🌟 AMPLIFY IMMERSIVE will enable artists to create and share live, interactive experiences with remote audiences More on this project at the link in comments 🔗 https://lnkd.in/eWivPYhx

    • Scottish Gaelic arts organisation, Fèisean nan Gàidheal, is partnering with the EU-funded project AMPLIFY which aims to empower artists, technologists, and communities by driving innovation in the Cultural and Creative Industries
  • A £2 million boost from The National Lottery through our Touring Fund for Theatre and Dance will bring a thrilling mix of new work and award-winning productions to stages across Scotland from next year. From fresh reinterpretations of classic works to captivating new performances, this vibrant line-up spans immersive dance, time-twisting drama, and storytelling from companies such as Wonder Fools, Cirqulation - Scotland’s circus cabaret night - and Tero Buru, an unstaged play left by the late musician Beldina Odenyo. Featuring an exhilarating mix of physical theatre, comedy, and dance for audiences of all ages, these performances will tour a diverse array of venues- from intimate spaces to grand theatres- bringing world-class artistry to communities across Scotland. 🔗 Link in comments 📸 These Mechanisms by Christine Thynne & Robbie Synge - credit Amy Sinead Photography.

    • A stage with two large white projector screens. In front of one is a man sitting at a table with a laptop and what appears to be lighting or sound decks. A woman in a striped jumper and cargo trousers holds her arms up in a pose, as if she’s dancing.
  • Lammermuir Festival reported a hugely successful year in 2024, as its economic impact tops £1 million for the first time and they welcomed their largest audiences to date 👏 In numbers: 🗺️ The September 2024 programme of 38 concerts across 15 locations in East Lothian presented 300 internationally acclaimed musicians 👋 In 2024 the festival welcomed over 7,000 attendances, an increase of 13% on 2023 and the most visitors in its history 🏴󠁧󠁢󠁳󠁣󠁴󠁿 72% of their audience came from Edinburgh and the Lothians and 28% from elsewhere in Scotland, rest of UK and abroad, showing a slight increase in the proportion of bookers travelling to the festival 💵 The economic benefits to East Lothian increased as the county welcomed more people to stay overnight in paid accommodation, contributing to an overall economic impact of £1.1 million - a 23% increase on 2023 🎟️ In 2024 Lammermuir Festival also offered its broadest range of ticket prices and offers to date including free tickets for 7 to 18 year olds, half price tickets for anyone aged 16+ in full time education, and 100 tickets for local secondary school children 👩🏽🎓 The festival worked with schools across East Lothian to reach young people aged 13 to 17 studying music, inviting them to attend events, meet artists and see behind the scenes. 🩷 Plus, 52 young people from eight schools attended the festival, bringing greater diversity to its audiences and exceptional experiences for those involved https://lnkd.in/ePkgABN3

    2024 Festival £1m Economic Impact - Lammermuir Festival

    2024 Festival £1m Economic Impact - Lammermuir Festival

    https://www.lammermuirfestival.co.uk

  • Ceann-là ri thighinn: This weekend is your last chance to apply to be an Itinerant Instructor in Gaelic Music to pupils in Lewis Primary and Secondary Schools 🎶 Details: 35 hours per week, permanent £37,932 to £49,515 per annum, inclusive of £2,742 Distant Islands Allowance per annum Your role will be to encourage an interest in music and support pupils in developing their musical skills, and to promote and strengthen Gaelic language, culture and the arts. You'll work with assigned classes and pupils, prepare lessons, liaise with parents and staff and participate in performances and competitions. ⏰ Deadline: 16 December 🔗 https://lnkd.in/ePM5FRqi

    • Encourage and support pupils in developing their musical skills in Lewis and Harris as a music instructor in Gaelic
  • Leeds Heritage Theatres, Leeds Museums & Galleries, Leeds Playhouse , and Opera North will become the first organisations to test the All In scheme and its widespread potential for improving creative and cultural experiences for deaf, disabled and neurodivergent people. The pilot is expected to run for eight months to summer 2025 and will take a collaborative and flexible approach with the pilot organisations, providing crucial insights and allowing further developments to be made before it rolls out across the creative and cultural sector. All In will announce the annual subscription rate in January, ahead of roll out across the UK and Ireland in the second half of 2025 More on this story in the link in comments 🔗

    • A recording studio - an orchestra sits playing music. In the foreground three people sit listening. All In, the groundbreaking access scheme, commences pilot with Leeds Heritage Theatres, Leeds Museums and Galleries, Leeds Playhouse, and Opera North
  • What can design do for Scotland? We worked with V&A Dundee to commission research exploring how Scotland supports its design potential - find out more ⬇️

    View organization page for V&A Dundee, graphic

    7,415 followers

    Design is one of Scotland’s greatest assets but how can we grow its impact nationwide? 💭 The value and importance of design to society – and its widespread connections to all areas of business and public life – is often overlooked. Working with Creative Scotland, we commissioned independent research from Edinburgh-based innovation and design agency GRAFT, along with collaborators Andthen and how2glu on what design can do for Scotland. This is a first step towards rethinking how Scotland nurtures and supports design, as well as providing a better understanding of design’s potential for Scotland’s future. Now we are exploring how to develop this work over the coming months. Read the full report here: https://lnkd.in/gVRBQVWc Thank you to all the contributors who supported this work, including the UNESCO City of Design Dundee team. The research built on the important earlier work of A Design Project for Scotland.

    • The image displays an abstract geometric design featuring overlapping shapes in shades of pink and orange.
  • Congratulations to the winners of this year’s Jerwood Poetry Awards, funded by Jerwood Arts and The National Lottery through Creative Scotland This year’s winners are Karen McCarthy Woolf for England, clare e. potter for Wales, Roseanne Watt for Scotland and Scott McKendry for Northern Ireland. As a result of her award, Roseanne Watt will be partnered with a mentor - Jenni Fagan.

    • Roseanne Watt. 2024 Winner for Scotland. RSL Jerwood Poetry Awards.

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