Wie nimmt man mehrere Instrumente oder Gesang gleichzeitig auf?

I respectfully disagree. This is good general advice but the first step is developing a goal and references for your soundscape and performances. How much room do you want to hear? How "live" do you want it to sound? Will you be overdubbing instruments that are expected to believably sit on the same "stage"? Having a clear understanding of your vision will positively inform the deployment and choice of equipment.

This is exactly right , we used to record bands this way, everyone did back in the day before people stopped rehearsing and started to rely on the grid. Bands use to show up and where well rehearsed, and would knock out a record in three weeks. That is with everything done even the mixing and mastering . It’s not hard to record full bands like it has always has been done. Unless you have bands that do not rehearse and have there songs down really good. If you run into that then everyone goes one at a time. It really depends on how well the band plays together and if they actually come prepared . If they come prepared and well rehearsed, they will no exactly what they want to sound like and you just let yhe music record itself.

You don't necessarily need a mixing desk. A multiple input interface will suffice depending on the amount of instruments you are recording

I agree no mixing desk , just need a solid interface and good computer . Your interface just needs to be able to handle as many things your recording. The better the recording the better mix and master you will get and from my experience do not put up a vocal booth a large to medium room really captures the dry vocal way better than a booth . Your going to compress and d-sss and saturate the vocals anyways . So good computer, interface that can handle what you are recording and good understanding of how your Daw works .

The quality of digital audio recordings is influenced by several factors, with varying degrees of importance: Microphones: Critical for capturing sound accurately. Environment: Acoustics and noise in the recording space matter significantly. Recording Techniques: Proper methods impact the outcome. Post-Production: Editing and mastering can enhance or degrade quality. Headphones: Important for monitoring but have a smaller impact. The choice of microphone and recording environment are paramount, followed by technique and post-production. Headphones, while essential, play a smaller role.

If you are using a Digital Mixing console then the easiest way is to mulititrack. Multitracking is a recording technique where you capture separate recordings of multiple sound sources and then mix them later into a single, final recording. It's like stacking different building blocks to create the complete audio picture. With multitracking: Each instrument (drums, guitars, bass, vocals) or even different parts within an instrument (rhythm guitar, lead guitar) gets recorded on its separate track. Think of it as having multiple lanes on a highway, each carrying a different sound.

Learn the differences between microphone design; their polar patterns and their application. Use the null points of a figure-of-eight mic to help minimize bleed/ leakage. Treat rooms to help minimize unwanted reflections, use gobos, foam and room isolation, and phase reversal —if necessary. Also don't be afraid to let it bleed if it suits the aesthetic.

This is good advice if you want to do it old school. However, if you want to do it the easy way, you'll pick up as synth that has a built-in 16 t sequencer to lay down all the tracks at the same time. You can then save it as a song and play it back anytime. A Vocals can all be recorded using harmonizers that can layer enough vocals to rival the Mormon Tabernacle Choir with built in digital EFX. I have been using MIDI sequencing professionally since 1983. This way, you get a very clean, easy to mix soundscape and locked-in vocal harmony structure the easy way. Any time you can avoid the ambient background noise that any mic adds, you've improved the clarity of the recording. In my method, there is only one live mic adding ambient sound.

Consider Acoustics: Evaluate the room's acoustics. Use acoustic treatments like foam panels, blankets, or carpets to minimize reflections and reverberations, ensuring a clean sound environment. Isolation is Key: Prevent sound bleed by isolating instruments and vocalists. Use baffles, screens, or headphones to create separation, allowing each source to be recorded without interference. Microphone Techniques: Experiment with microphone placement: Close: Place mics close to each source for detailed, direct sound. Distant: Position microphones farther away to capture a natural, ambient sound. Stereo: Utilize two mics for a spacious stereo image. Multi: Use multiple microphones for each source to capture different aspects of the sound.

A well-planned recording space is crucial when capturing multiple sources at once. I’ve learned that proper microphone placement and acoustic treatment can significantly reduce bleed between instruments or voices. In one session, placing partitions between vocalists made all the difference in isolating their sounds. The space can often make or break your mix later. How do you set up your studio for larger sessions? Any tips to share? #RecordingStudio #SoundIsolation #AudioSetup #RecordingTips #StudioLife

Also it’s important to make sure the electrical connections are grounded to avoid humming entering the system. And avoid electric shocks.

Most DAWs interfaces have meters. Best to sound check every input at the loudest level. EQ is not necessary on every input on recording into DAW mainly decibel levels. Best to peak around -10db.

Balance Each Track: Ensure instruments and vocals are well-balanced to avoid one overpowering the mix. Pan Appropriately: Use pan controls to position each track in the stereo field for separation. Equalization (EQ): Apply EQ to shape the sound and remove unwanted frequencies. Avoid Clipping: Watch for clipping (distortion) and adjust levels accordingly. Prevent Overlap: Make sure tracks don't overlap or mask each other in the mix. Minimize Feedback: Avoid feedback by positioning microphones carefully and using monitors. Phase Issues: Check for phase issues, especially with multiple microphones on the same source. Use Tools: Utilize sound meters, headphone monitors, or VU meters to assist in level and balance adjustments.

Take I consideration that most the home audio interfaces have simple convertors for A/D so if your gain is hot can be translate as a digital clipping. take in consideration that 0 dbf in digital is +24 dbu. You always can add more gain after recording so a good start point is -12 to -18 dbf with equals 0 in analog world.

Recording multiple sources simultaneously requires careful attention to levels and balance. Once, while recording a choir and a piano, the piano kept overpowering the vocals. Adjusting the levels on the fly saved the session. Always monitor your mix live, because what you hear during recording will save you hours of frustration during post-production. Have you ever had to make on-the-fly adjustments? How do you ensure balance in real-time? #AudioLevels #RecordingTips #MixingLive #SoundBalance #RecordingEngineering

It is important while recording, to have a good communication with the music producer therefore musicians can record as a team and not only as individual performers. As a recording technician is such a waste of time recording over and over when there is no team work either a common objetive among producers and musicians.

Layering multiple sounds in real-time requires a solid game plan. I often label each channel and double-check inputs before hitting record. During a multilingual e-learning session, precise organization ensured every narrator stayed on their track, saving hours in editing.

The already recorded tracks are then edited and cleaned from any unwanted noises that occured during the recording stage. In the mixing process gain staging is a major factor, that means setting the proper gain levels for every instrument/vocals. Also panning individual tracks is a great element of mixing. There are also tools that are used in the mixing process in order to get a nice polished sound, such as the equalizer(EQ) which you can use to cut/boost/filter wanted/unwanted frequencies. There's also a great tool called a compressor, saturation, reverb, delay, chorus, phaser, flanger and many more!

This step brings it all together. I once had a podcast panel with overlapping voices. Editing the session was tedious, but careful EQing and panning gave each voice space. Mixing is where your tracks evolve into a cohesive masterpiece.

Best to master tracks at 48khz 24 bit. At a minimum. Limiting track as close to 0.07-0.1db. With maximum -3db of gain reduction

This super subjective to everyone, people like Andrew sheps , never looks at a meter and when the master engineer gets the mix it’s at +9-10 db’s. When I mix I do look at my master track , I keep my mix around -27 db and i actually master all my tracks as well . I limit my tracks to -2 and redline the vocal.

Honestly, if you've never done this before, go to a studio that does this all the time. You'll get it done right the first time, and, more importantly you will now be informed on what you need to do this in your own studio. Depending on the complexity of the session, this could be as involved as acquiring an actual console, a mic collection and a headphone system, or conversely a few decent mics and a way to give everyone their own headphone mix. Either way, hiring a studio to do this first will save you countless mistakes if you just try and guess how to do it on your own.

to add to the last comment on mastering levels, one needs to check where the files are going to determine the levels that should be used, for example -3dB might be too hot for some streaming platforms. Check with them first. The technique used for recording many instruments at one time is based on the type of orchestra; is it instrumental, do they need headphones for vocals , often a stereo pair of microphones might be enough if people are seated accordingly. For rock I move amps and drums in another room(s) to separate the tracks and mic close to keep the amp levels low and minimize bleed making retakes possible. The distance between 2 sound sources should be at least 3x the distance from the source to the mic to avoid phase problems.