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Fichier:Pacino as Serpico in 1973.jpg

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Fichier d’origine (1 196 × 1 492 pixels, taille du fichier : 518 kio, type MIME : image/jpeg)

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Description

Description
English: Publicity portrait depicting al Pacino in the film Serpico
Date
Source Ebay
Auteur Paramount Pictures
Autorisation
(Réutilisation de ce fichier)

The image can be seen used in newspapers as promotion, as in this example from January 18, 1974

This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."[1]

Creative Clearance offers similar advice for older publicity stills but distinguishes "Publicity Photos (star headshots)" from "Production Stills (photos taken on the set of the film or TV show during the shooting)". It says newer publicity stills may contain a copyright, and production stills "must be cleared with the studio."[2]

Nancy Wolff, includes a similar explanation:

Legal expert on the use of photographic images, Nancy Wolff, includes a similar explanation:

There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them. . .(The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

These photographs came from a photo archive of entertainment industry publicity pictures, historic still images widely distributed by the studios to advertise and promote their then new releases. While not considered valuable at the time, avid collectors have created complete archives by salvaging and cataloging movie and television photographs, preserving a significant facet of American culture. These archives are a valuable cache for publishers who rely on these archives as a resource for entertainment material."[3]

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

Film industry expert Gerald Mast explains how the new 1989 copyright revisions only protected publicity works that complied with all earlier requirements in addition to filing a copyright registration within 5 years of first publication:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."[4]

Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[5]

  • United States Copyright Office page 2 "Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.”
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe."
  • The entry offered on the site of the United States Copyright Office for the film does not include listings stills of the movie.

Conditions d’utilisation

Cette œuvre est dans le domaine public car elle a été publiée aux États-Unis entre 1929 et 1977 inclus, sans indication de copyright. À moins que son auteur ne soit mort depuis suffisamment longtemps, elle n'est pas dans le domaine public dans les pays ou régions qui n'appliquent pas la règle du terme le plus court pour les travaux provenant des États-Unis, comme le Canada (70 ans pma), la Chine continentale (50 ans pma, Hong Kong et Macao exclus), l'Allemagne (70 ans pma), le Mexique (100 ans pma), la Suisse (70 ans pma) et d'autres pays signataires d'accord bilatéraux. Voir cette page pour de plus amples explications.

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  1. Honathaner, Eve Light. The Complete Film Production Handbook, Focal Press, (2001) p. 211
  2. Creative Clearance. Photography Clearance. Clearance Guidelines for Producers. Archived from the original on 2013-02-12. Retrieved on 4 May 2011.
  3. Wolff, Nancy E. The Professional Photographer's Legal Handbook, Allworth Communications, 2007 p. 55
  4. Mast, Gerald. "Film Study and the Copyright Law", from Cinema Journal, Winter 2007, pp. 120-127
  5. Thompson, Kristin. [1] "Report of the Ad Hoc Committee of the Society For Cinema Studies, "Fair Usage Publication of Film Stills" "Society for Cinema and Media Studies", 1993 conference

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