Yale University Art Gallery’s Post

My solo exhibition "Propositions for dis-order" at THK Gallery is up until the 26th of October, 2024. The work engages problems of money (and Blackness), speculation, financial abstractions, time (and risk), (the violence of) value in the context of racial slavery. This body of work turns towards systems and games to consider the depths of the temporal dimension and ontological terror of anti-Blackness. Through strategies such as repetition, fragmentation, seriality and motion, among others, the project opens a space for a critique of systems of knowledge production, history and memory. https://lnkd.in/d969txXm

Learn more about how Timothy Hokett creates a canvas of resilience and revolution with each and every piece of art! https://lnkd.in/dhVmb2Yh #theblackmancan

The 7 Tips about the content of art you can't afford to miss. Read more 🙏 https://lnkd.in/g2CrA_f7

The 7 Tips about the content of art you can't afford to miss. Read more 🙏 https://lnkd.in/g2CrA_f7

The 7 Tips about the content of art you can't afford to miss. Read more 🙏 https://lnkd.in/g2CrA_f7

"Modern art is more than just colors on a canvas—it's a window into creativity, emotion, and innovation. From bold shapes and abstract designs to thought-provoking installations, modern art challenges us to see the world differently and connect with the artist's vision. Whether you're exploring a gallery or discovering a new artist online, take a moment to reflect on how art can inspire and evoke emotion. What’s your favorite piece of modern art? Share below—we’d love to see what moves you!"

The 7 Tips about the content of art you can't afford to miss. Read more 🙏 https://loom.ly/vXPVXTo

Volume 11 is coming soon, here’s the editorial for this issue: "Everything changes, and we at NNC Gallery evolve over time, just like our projects. Our magazine is also undergoing a transformation. Starting with this issue, we will introduce new sections. The first will be a column dedicated to advice for artists: our experience and desire to provide concrete support have led us to create a space for this purpose. It will be a sort of coaching journey, aimed at teaching artists how to navigate the era of the web, mass art, and new collectors. What artists are looking for today, perhaps even before exhibitions, are collectors. For centuries, the art market was controlled by a small circle that decided who could be sold and who couldn't. Today, things have changed, but the selection process is still very rigorous. However, this is not the only issue. Moving away from traditional paths has led to the formation of prejudices, urban legends, and insecurities, which often cause talented artists to suffer from what is commonly known as 'imposter syndrome,' thereby sabotaging their own progress. For these reasons, we decided to focus on this aspect and offer our contribution. There are many other new developments in the pipeline, which we will unveil gradually in the upcoming issues. In this issue, we present some of the artists from the collectives we have been following for many years and continue to promote, helping them reach a wider audience. You will also find this month’s featured artist, the special guest, along with the winners of the January 2024 challenge, as well as the selected artists who accepted or declined our challenge. We hope you enjoy reading our magazine/catalog and that you can fully appreciate the contemporary art of these years!" Cover by Juan Javier Medina Pereira Collective 20 Winner Challenge 2020 To be featured in our magazine catalog, apply to the ongoing challenge: https://lnkd.in/det-mymM #ArtChallenge #ContemporaryArt #ArtistOpportunities #ArtMagazine #ArtCatalog #EmergingArtists #ArtFeature #CallForArtists #ArtCollectors #ArtistCommunity

Fringe's artwork can indeed be considered an investment for several reasons: Growing Recognition: Fringe is gaining recognition in the art world, which can lead to increased demand for their pieces over time. Unique Style: Fringe's unique blend of whimsical imagery and deep themes sets his work apart, making it appealing to collectors seeking distinctive artworks. Limited Availability: As Fringe's popularity grows, their artworks may become more limited in availability, contributing to potential value appreciation. Art Market Trends: Investing in emerging artists like Fringe can align with current trends in the art market, where collectors are often interested in new and innovative artistic voices. Potential for Future Appreciation: If Fringe continues to create compelling and sought-after artworks, his pieces may appreciate in value over time. www.anonymousf.com #fringe #fringetheartist

Claudia Hart's "Ghost Paintings: The Armory Women », a solo presentation at the Armory Show 2024 for Patrick Mikhail Gallery, was a winning proposition, confronting issues of value and cultural reevaluation, and particularly highlighting the historical invisibility of women in art. By reimagining and reviving the work of seven forgotten female painters from the 1913 original Armory Show, Hart brought their contributions back into the spotlight. As an appraiser, I am particularly fascinated by how Hart’s work subtly exposes the power structures that have shaped art history, highlighting the market’s significant role in determining which artists are remembered or forgotten. By revisiting the works of these overlooked women, Hart not only challenges their historical erasure but also underscores the market’s influence in the creation of value, bringing to light critical intersections of memory, visibility, and speculation—key areas of focus in my appraisal practice. It also involved innovative means of production as Hart used a data-driven approach and simulations, blending the digital and hand-painted elements. It goes to show how contemporary art can and should transcend categories. This creates a new space for evaluating historical significance and market potential.