Madeleine York’s Post

“As creatives, as artists, we need to be more vulnerable. We need to allow people in a little bit more, so they see all these different dimensions of who we are. It's incredible what impact that actually has on our overall ability to engage with people, because we focus on the work and we focus on our clients.” – Eddy Herty, STUDIOS https://lnkd.in/g5vdbPyn

“As creatives, as artists, we need to be more vulnerable. We need to allow people in a little bit more, so they see all these different dimensions of who we are. It's incredible what impact that actually has on our overall ability to engage with people, because we focus on the work and we focus on our clients.” – Eddy Herty, STUDIOS https://lnkd.in/edKReqqK

“As creatives, as artists, we need to be more vulnerable. We need to allow people in a little bit more, so they see all these different dimensions of who we are. It's incredible what impact that actually has on our overall ability to engage with people, because we focus on the work and we focus on our clients.” – Eddy Herty, STUDIOS https://lnkd.in/geVrH4jU

ModelFarm, an Adelaide-based visual effects company, is making waves in Hollywood by contributing to Piece by Piece, a biographical comedy film about music icon Pharrell Williams. The film, creatively told using LEGO, showcases Pharrell’s groundbreaking contributions to the music industry—one brick at a time. ModelFarm was supported through AEDA’s Market Access Program - an initiative where digital and creative businesses can apply for funds to assist with commercial and networking travel opportunities. ModelFarm, director and founder Shane Aherne described the opportunity as a career highlight, with the project opening doors to new markets and further establishing the company’s reputation on the global stage. Find out more about this innovative company: https://lnkd.in/gYSfbUvH

Go on, time to leap! Video number 5 out of 12 is themed on innovation in Access. Dark with Excessive Bright is a production where the team got to unleash creative Access, integrating with the core content of the show. Wi-Fi networks that located audience in a promenade space using their own personal smartphone. Immersive Descriptive Audio written and performed with Devon Healey. This project was a giant leap. It stretched everyone’s understanding and challlenged preconceptions regarding the role and potential of Accessibility as a creative tool. You can watch a snippet of the Immersive Descriptive Audio filmed as part of the Insights series in the Clore studio at the Royal Opera House. The link to YouTube is pasted below. There is also wrap around interview content with the creative team. At timestamp 11:06, you’ll be able to watch and listen to the audio description. https://lnkd.in/exhAWnfp So, take a leap, be brave, get creative, let Access take the driving seat for while. #AlwaysOnAccess #Accessibility #Innovation #Theatre #Arts #ArtKind #Dance Video ID: Paul is facing the camera in a purple jumper. The words “#5 Time to Leap” are visable in the top left of the screen. Captions are visable throughout.

It's no question that the most memorable visual spectacles come from the brightest, most vibrantly displayed colors. Colors influence the audience’s reaction and how the connection they have to what they see on-screen. 🌈 So, where does Rec .2020 come into play? What is it exactly? 🤔 Find out in the latest #ChristieSpotlight article. https://ow.ly/mNVe50R05aq

Are immersive shows under-represented when it comes to professional coverage? Interesting article from The Stage Media Company Ltd got us thinking about whether this is true and why that might be... When it comes to what constitutes a "show", the lines have dramatically blurred in recent years, and many go under the radar. Some immersive shows would describe themselves as 'experiences', some 'games', others are 'escape rooms', many more 'theatre' but this all begs the wider question; how do you define theatre? And honestly, we don't have an answer! It can't be ignored that there is an occasional air of snobbishness surrounding immersive shows, and whether publications deem them 'worthy' of traditional reviewing. But witnessing the evolution of live entertainment is exciting! And we've seen first-hand how non-traditional theatre can attract a brand new audience - and what's better than that? The breadth and scope of immersive is wide and as theatre makers, we believe it's our job to welcome as many people as possible to see 'theatre' in all its forms, and we'd encourage more reviewers to take the leap. https://t.co/rXyCBjMgzt

What’s the Rec.2020 color space? How does it compare to Rec.709? And to DCI-P3? Why does Rec.2020 matter? Find out! #themedentertainment #proav #avtweeps #projection #museums #attractions #avtech #immersiveexperiences #liveevents #lightfestivals #projectionmapping

Protean experientialist Laura Hess has started a Substack called This Is Not an Experience, and frankly, there’s no one better equipped to guide you through the wilds of experiential art and entertainment. With a mind sharper than most laser shows and an uncanny ability to make sense of this ever-evolving-whatever-it-is, Laura delivers insights, reviews, and trends like nobody else. Subscribing is free, but the knowledge you’ll gain is priceless. https://lnkd.in/eMwMqpNU

Find Your Voice with Studiobricks Freedom starts within yourself, but sometimes you just need a space to let it flourish. Escape distractions and unleash your creativity in a soundproof haven. Discover Studiobricks: Your voice, amplified. https://lnkd.in/gmYw-gV #studiobricks #soundproofbooth #homestudio #creativity #findyourvoice