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Music Support Officer at RNIB, Founder of Sound Without Sight, Advocate for Accessibility in Audio and Music, Freelance Mixing Engineer

ADC24 - what a whirlwind! I’m not sure I’ve ever felt so in awe of everyone and everything around me, but also so welcome and at home. It was an absolute pleasure to curate and chair the ‘Inclusive Design within Audio Products: What, Why, How?’ workshop at this year’s Audio Developer Conference. Thank you to the wonderful panellists: Tim Yates (Drake Music), Elizabeth J. Birch, Andre Louis, Tim Burgess, Adi Dickens, PhD (Ableton), and Haim Kairy (Arcana Instruments). Together, we delved into what accessibility means in the context of audio and music technology, why designing inclusively is essential, and shared examples of accessible products already on the market. Thanks also to: • Everyone for coming and participating, and your overwhelmingly positive feedback so far. I’m excited for the future of inclusive music technology! Please also let me know which topics you’d like to hear more about in future, or anything that could have been improved about the session. • The ADC team for making space for the workshop. • ADC24’s sponsors, in particular the sponsors of the Diversity Scholarships, which supported a number of attendees to participate in the workshop and conference as a whole, allowing new voices to join important conversations. • The MIDI Association for additional support, and offering space on their table to give attendees a chance to try the Arcana Strum and Ableton Move outside of the workshop. (If you didn’t catch it in Haim’s presentation, the Arcana Strum won the Commercial Hardware category at this year's MIDI Innovation Awards!) I look forward to being able to share the recording of the workshop at some point soon. In the meantime, look out for the interviews captured by Sound Without Sight reporter trahern culver throughout the conference! Subscribe to the Sound Without Sight mailing list to stay in the loop: https://lnkd.in/e4gTzhcZ

  • Jay, Andre, and Adi on stage during the Ableton section of the workshop. Andre has an Ableton Move device in front of him. Adi is speaking into a microphone and everyone is smiling.
  • A photo of the full panel in the workshop. Jay speaks to the panel, and slides are shown on a projector screen with text: "Why is accessibility important? Diversity is important. 7 in 10 music fans believe that diversity within music artists is important. Give a voice to the voiceless. Only around 3% of music fans can think of a current blind or partially sighted professional musician."
  • Andre and Jay are sat at the MIDI Association table in the conference's exhibition hall. They are demoing the Ableton Move and Arcana Strum.
  • Sound Without Sight community member Trahern Culver interviews Andre Louis at the MIDI Association table. He uses an (inclusively designed) Zoom H4 essential handheld recorder.
  • Attendees from the workshop ponder questions together as part of a team during the ADC Quiz.
Natasha Hendry

Music & Research Psychologist | Speaker | Researcher | PhD candidate at University of West London | Vocal Coach| Choir Arranger

1mo

🙌🏽

Siobhan Leese

Software Developer at esselleAudio

1mo

It was great to meet you and learn about Sound without Sight!

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