JR Mitchell Leaves Adavanza to Establish Osobarra Films, Announces Major Partnership and Exciting New Projects Seattle, WA – In a new shift within Seattle’s film and media industry, JR Mitchell, an Academy Award-shortlisted filmmaker and creative, is leaving the renowned media production company, Adavanza, to form Osobarra Films, setting the stage for a new era in film, television, and commercial production. Adavanza, a recipient of dual accolades from 425 Business Magazine for excellence in Marketing + Design & Commercial Photography/Video + Ad Agency/Marketing Firm, has been celebrated for being a "most righteous group of media partners." This move is accompanied by the announcement of a significant partnership as Mitchell steps into a dual role as a partner at Joysauce, an AANHPI-focused multimedia network founded by Asian Hall of Fame Inductee & GeekWire Chairman Jonathan Sposato. Osobarra Films will be at the helm of producing key projects for Joysauce, including the network's flagship show "JoySauce Late Night," and the upcoming film "Reconnected," as well as overseeing the full production slate. In addition to these exciting ventures, Osobarra Films is proud to announce its upcoming documentary feature film has been selected from hundreds of applicants to participate in the Washington FilmWorks Production Initiative Program. This program incentivizes the cream of the crop among Washington films, highlighting the company's innovative endeavors in the industry. The project was also awarded fiscal sponsorship through the Northwest Film Forum, underscoring its anticipated impact. Among the first commercial projects under this expanded umbrella is the much-anticipated follow-up to the iconic Marshawn Lynch/Beacon Plumbing commercials, showcasing Osobarra Films' commitment to continuing its legacy of captivating and engaging cinematic productions for the local and national markets. Those advertisements are currently being broadcast. About Osobarra Films: Originating from a word birthed in the imaginations of childhood best friends, Osobarra Films emerges as a vanguard of cinematic creativity, placing the craft of storytelling at the forefront. With a philosophy centered on transforming every frame into a portal to new worlds, Osobarra Films combines epic narratives with iconic brands to deliver unforgettable experiences. We are committed to engaging not just the minds of our audiences but also their hearts and their sense of humor, believing that a truly memorable story touches all aspects of the human experience. Dedicated to captivating and inspiring audiences, and etching its stories into the collective memory, Osobarra Films is not just about making content; it's about creating enduring impressions that resonate across generations.
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Who remembers the Baby-Sitters Club books from the 80s? In the books, Kristy saw her mom looking for a baby sitter for her little brother one night. She watched as her mom was calling all these people and asking friends for suggestions and flipping through all these phone numbers, just to find an available sitter. She had the great idea that it would be so much easier to just call one place and reach a team of baby-sitters who would handle the scheduling and everything so all you had to do was make one call and get everything you needed. When talking about Space Dream Productions recently, Koura Linda said "We're basically the Baby-Sitters Club of Filmmaking. You just make one call (or send an email in today's world), and you reach a whole team who can take care of everything you need for any film, video, or content creation project in one place." Making movies, making content, creating audio/visual works - there are a LOT of layers. From contracts to invoicing to legal requirements to putting together the right team for the project, to understanding how to do all the different parts of the project (script development, story development, casting, cinematography, filming, locations, permitting, lighting, hair, makeup, set design, production design, editing, coloring the edits, special effects, sound, score, graphics) - even the smallest video shoots have all of those parts, if only at a less complex level than a big feature film. So that's why Space Dream Productions offers all of those services for hire. Now, we're not a financing house. We're not looking for projects or I/P to develop. We're not a cold money big studio looking for the next creative mind to absorb into our machine and churn out billion dollar content we disproportionately profit off of. We're a team of creative professionals with decades of experience in business and film and storytelling. Koura started working in film over 20 years ago, and between Koura, Spacey, and our partners Nick and Bryan, we have over 50 years of combined experience. We have occasionally partnered with other creatives to develop specific scripts and projects to produce as Space Dream Productions' films. Our focus is storytelling through film and media for entertainment, education, and activism. Our clients range from individual podcasters in need of logos or music or editing services, to full marketing firms bringing us in to edit social media content, to businesses, brands, and individuals who we work with to develop, film, and edit their marketing content, to fellow filmmakers looking to hire a production team to develop, write, produce, direct, film, and/or edit their projects. Anything needed on any sort of content creation from the idea stage through the finished edit ready to share with the world - it's one call to reach our full team who can take care of it all. Just like calling The Baby-Sitters Club! How can we help you? #SpaceDreamProductions #FilmmakingActually
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🚨 Hey! Just thought I’d quickly re-introduce myself on here, seeing as I’ve had a fair amount of new connections these last 6 months on LinkedIn…and it also being my birthday today! (3rd October) 🎉 My name is Daniel. Hi! I live in the new city of Southend-on-Sea, in Essex, just outside London. 🎨 I’m a ‘visual story-teller’ at heart, and I love shooting video. Essentially, I grew up with camcorders but I began my journey as a video producer in 2012, filming local events and business videos. Very soon I was filming around the world, and that is an aspect of this job I love the most! 📹 It’s really important to me that shooting video content with clients is simple and fun. No stress. From my experience, I know what works the best, I know how to get the best out of people, and I know the best outcome for any project. I have edited all of the films in my portfolio; working as a director who shoots for my own edit is how I add the most value. 🍿Oh, and I love movies. Who doesn’t? If you can’t find me, I’m usually catching a film in the cinema! Put me in front of a Stanley Kubrick film and I’m happy. 🚀 In 2017 I became a Limited Company in video production under the name FLUD. and continue to partner up with businesses, brands and PEOPLE to tell their story. And I love it. I focus largely on ‘talking head’ videos, promos and event filming. I’m planning for a big change for 2025 though, so do watch this space. Upping my marketing game. 🎥 Tech geeks: I shoot on Blackmagic Design cameras and edit with Final Cut Pro. 🤝 For a few years I was a director for film and TV community ESSEX FILM COLLECTIVE. I’m proud seeing how much that has grown these last few years and the trusted reputation it’s harnessed. Check out the new Essex International Film Festival if you can! 🎬 Alongside all this, I write and direct narrative film. ARK Pictures is my jam; it’s something I’m very passionate about. Along with Samantha Anderson and Alice Ryan, we create intriguing and challenging short films, and have developed a pretty decent reputation locally. A feature film is on the cards too which is CRAZY. 🥜 Anyway…that is me in a small nutshell. Thanks for reading and thanks for connecting with me. Would love to learn more about what makes you tick, and any advice you can share on developing my business for 2025 I would warmly appreciate!! Daniel
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Back in January 2023, I started my own filmmaker's notebook, and here are the three main lessons I noted down after being a part of several shoots: 1. Pre-production is EVERYTHING. You become Batman if you can ace Pre-production! Every little detail of the process—funding, marketing, screenplay, storyboard, shot division, casting—is an ART in itself because you are sculpting character psychology, themes, and ultimately the space and time within your story. On the other hand, you also take care of rentals, props, locations, budgeting, lighting, and equipment, which forms a part of the CRAFT. All in all, to me, Pre-production is 70% Art and 30% Craft. You have to commit to your ideas, but as an indie filmmaker, you better not fall in love with some specific craft elements (prepare for alternatives). Pro tip: Always have a backup plan for key elements like locations and props. What are your go-to strategies for handling unexpected changes? 2. As a filmmaker, expand your experiences. Smell new fragrances, listen to new music, scribble down ideas, buy subscriptions to obscure services. Just because you can't afford trips to Europe doesn't mean you can't discover yourself. Go crazy with an intuitive method to your madness (and within your budget LOL), because the crazy ones have a vision to build from their odd ideas. Pro tip: Challenge yourself to explore at least one new experience each month. How do you find inspiration in unexpected places? 3. Don't literally fall for every creative person you meet. Stay alert and expand your reach. Some people have a way to convince you that they're the best for the job, but maybe you haven't explored more options yet. Don't rest until all your needs are met when finding people, and don't hesitate to be fair and square with a person, because this is best for both you and them. Part ways before betrayals happen. Pro tip: Conduct thorough interviews and test projects before finalizing your team. What's your best method for finding reliable collaborators? Bonus tip: Continuity is King, Feeling is Queen. Make sure you strike the balance in the editing of the film. In this country, editors think mostly about continuity and often forget to add feeling to their edits (in line with the story, of course). As one of my filmmaking mentors, Chaitanya Tamhane, said about the filmmaking process, "Listen to your gut and body before always listening to your mind." This notebook is an attempt to create a process based on my instincts instead of a readymade textbook provided by some film school. So I urge all of my fellow filmmakers to do the same! Have any advice to share or opinions on this topic? Feel free to share in the comments below! #Filmmaking #PreProduction #FilmTips #CreativeProcess #FilmCommunity #FilmProduction #Storytelling
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You’ve spent weeks, maybe even months, on the creative concept. The budget's in place, the brief has been refined, and everyone’s locked into their roles. Your agency has invested significant time and effort shaping the vision, aligning the team, and ensuring the campaign is set to hit the mark. But one small mistake in the pre-production phase can derail your client's entire video campaign. In fact, what happens before the cameras roll is often more crucial than the shoot itself. Here’s how major production failures highlight key lessons and how to avoid them. Share this before your next kick off for ultimate team alignment. ♻ 🤝 Lesson 1: Lock Your Script, and do it early on In "The Lone Ranger" (2012) Production faced significant delays and cost overruns, primarily due to a script that wasn't fully locked before filming began. Multiple rewrites, including major revisions during pre-production and filming led to costly reshoots.$35 million dollars in overages to be exact. How to Nail It: : Ensure your script is finalized before production starts. This provides a clear direction for the entire team. Lesson Two: Define Your Budget Upfront The 2017 Justice League production faced financial chaos due to an undefined budget. Initially set at $300 million, the budget spiralled to $370 million as the film underwent multiple creative changes, including extensive reshoots after Zack Snyder's departure. With no clear budget cap for these changes, costs continued to escalate, causing financial uncertainty throughout the process. How to Nail It: Work with your team to set a realistic, detailed budget based on the creative vision and timeline. Lock it in early and keep it aligned across all materials. Lesson Three: Scout Locations Thoroughly The production of The Revenant was significantly impacted by poor location scouting. The filmmakers sought pristine landscapes for a rugged aesthetic, but many locations didn’t meet these needs. Weather complications, such as unexpected storms and unseasonably warm temperatures, delayed filming. Snow melted prematurely in February, delaying key scenes and requiring last-minute changes. How to Nail It: Thoroughly scout locations in advance, taking into account logistical needs and potential environmental risks. Consider alternative locations with more predictable weather to prevent delays. The Bottom Line: Plan Carefully to Avoid Pitfalls Small mistakes in pre-production—like an unclear script or undefined budget—can escalate into major production issues. Locking your script, defining your budget, ensuring clear communication, and scouting locations in advance are key to a smooth and successful campaign. The time spent planning now will save valuable time and resources later. --------------------------------------------- Hi, I’m Lauren Schell 👋 A creative leader and business builder passionate about turning bold ideas into stories worth telling. Ready to elevate your brand and content? Call on me. 🌊
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NOLLYWOOD - DIRECTED BY THE PRODUCER FEATURING THE DIRECTOR In the business of filmmaking, the director assumes a crucial role, orchestrating the transformation of a screenplay into a captivating audio-visual narrative. With a versatile skill set spanning editing, post-production, cinematography, characterisation, and casting, the director stands as a visionary leader. Collaborating with a team of professionals, they navigate the intricate filmmaking process, crafting a script into an emotionally resonant experience for the audience...... ......However, within the context of Nollywood, especially during the era of Home Videos, the director's role often took a backseat. The prevailing culture was one that favored the "Producer's Credit," where producers claimed the lion's share of recognition and responsibility for a film. This practice, borrowed from the television drama system, where the functions of the producer and director are often merged, became entrenched in Nollywood. Early practitioners, influenced by the TV era of drama production, initially molded the movie industry structure based on this model......... ..........Even with the advent of formally trained directors in the early 2010s, the prevailing culture pushed them to consider establishing their production outfits rather than waiting to be hired for their services. In contemporary Nollywood, stand-alone directors are fewer, as the current landscape places less emphasis on the craft, screenplay, and cinematography. Top directors often take on multiple roles, writing and producing their films, rarely being hired solely for their directorial expertise. While high production costs are cited as one reason for this trend, some top producers willingly take on the responsibility of directing, not merely to save costs but to add the allure of directing a film to their list of credits. In this dynamic and evolving industry, the legacy of the producers' credit culture continues to shape the trajectory of Nollywood filmmaking, influencing how filmmakers approach their craft and contribute to the cinematic landscape. My Take Jimi D Baldheaded Guy Read full article https://lnkd.in/dxW5c7hN
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1924: Dear Prof. Dr. Ramaswamy Iyengar, plese share The Digital Revolution: Transformation of India's Film Industry> India’s film industry has undergone a digital revolution. This transformation brings greater creative possibilities and broader access, but also raises concerns about digital preservation and the potential long-term effects on the industry. The fact that the Indian film industry has a rich history, and a vast audience is no secret. However, a well-kept secret to industry outsiders is its remarkable evolution in recent decades. The shift from traditional analogue methods to predominantly digital methods has significantly impacted how films are conceived produced, distributed, and consumed. The Analog Era Just a few years back, filmmaking in India was entirely analogue. Filmmakers relied on physical film strips, meticulously processed in chemical labs. Editing was a manual and laborious task involving physically cutting and splicing film strips. The sound accompanying the film was managed separately, adding another layer of complexity. And distribution involved transporting bulky film reels to theatres - often a logistical nightmare. Today, film production, distribution, and even consumption are relatively hassle-free for almost every stakeholder. But how did this transformation happen? That too in just a few decades? The First Wave: Digital editing tools and intermediates The first wave of digitalisation happened in the early 1990s when a few editing teams started using digital editing tools. These tools brought efficiency and new post-production possibilities to filmmakers. After about a decade and a half of experimentation, digital editing tools became mainstream because they offered new possibilities like ‘non-destructive’ or ‘non-linear’ editing. This allowed filmmakers to make changes freely and experiment without damaging or reshooting the film. Initially, digital editing complemented the traditional processes. However, as the technology matured, it became the new standard, offering greater flexibility and control than older techniques. The early 2000s saw a significant turning point with the advent of Digital Intermediates (DI). This, a postproduction process that allows makers to make final creative adjustments to a movie through the digital processing of films to enhance colour, effects, and grading. With the introduction of DI, picture finishing, a crucial stage in filmmaking, entered the digital domain, streamlining workflows and enhancing control over the final look of a film. Even today, digital finishing tools allow filmmakers to meticulously craft the final product with greater precision and consistency. While DI was an important development in the 2000s, perhaps the most dramatic transformation was in film distribution. By the late 2000s, physical film prints began to vanish and were gradually replaced with digital files sent for exhibition on hard drives. Indian Researcher on industries
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Movies, also known as films or motion pictures, are a form of visual storytelling that typically involves a sequence of images, accompanied by sound, to convey a narrative, entertain, educate, or evoke emotions. Here are some details about movies. The history of movies dates back to the late 19th century when pioneers like Thomas Edison and the Lumière brothers developed technologies to capture and project moving images. Over the years, the medium has evolved significantly, from silent films to talkies, black and white to color, and analog to digital.Genres: Movies span a wide range of genres, including drama, comedy, action, romance, horror, science fiction, documentary, and animation. Each genre has its own conventions, themes, and audience appeal. The production of a movie typically involves several stages, including scriptwriting, pre-production (casting, location scouting, etc.), production (shooting), post-production (editing, visual effects, etc.), and distribution. Movies incorporate various cinematic elements such as cinematography (camera work, lighting, framing), editing (sequence arrangement, pace), sound design (dialogue, music, sound effects), and acting to create a cohesive and engaging viewing experience. Movies have a significant cultural impact, shaping societal norms, influencing popular culture, and reflecting the values, beliefs, and concerns of different eras and societies. They also serve as a form of escapism and entertainment for audiences worldwide. The movie industry, often referred to as Hollywood (though there are film industries globally), is a multi-billion dollar industry that encompasses production studios, distributors, theaters, streaming platforms, filmmakers, actors, and other professionals involved in the creation and promotion of movies. Movies are recognized and celebrated through various awards and festivals, such as the Academy Awards (Oscars), Cannes Film Festival, Sundance Film Festival, and others, which honor excellence in filmmaking across different categories.Overall, movies play a significant role in entertainment, culture, and art, serving as a powerful medium for storytelling and communication on a global scale.
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🎬 ⭐️ 🔥 Mike Fox | Multi award-winning Filmmaker, Director, Producer, Screenwriter, Cinematographer, Video Editing & Production, Designer, Creative Professional, Actor, Voiceover, CEO & Entrepreneur. www.crystalfoxfilms.com director@crystalfoxfilms.com (302) 399-7851 Video Showreel: https://lnkd.in/ed3WnVuR IMDb Pro: https://lnkd.in/eea8Gb-n Statement: Passion to purpose is my goal. It’s not merely about pumping out content, it’s about creating a unique, emotionally relatable and impacting vision and making it come to life on screen. When it’s full of life and purpose and passion, the audience knows it - and feels it. Featured on front page newspapers, Mike Fox's ultimate goal is impacting lives to empower, inspire and encourage and give direction in some way. Along the journey, are many curvy and cool paths from comedy, to suspense and scary, thriller & horror, family-friendly faith-based, to sci-fi, to emotional, to pure cinematic. His professional work is known across the U.S. including receiving numerous accolades and awards, featured on multiple media outlets on television, publications and print, named Top Pioneer & Entrepreneur, won numerous awards from the prestigious Delaware Press Association (DPA), Local Business Person of the year by Alignable (4) years in a row, and continues to speak and teach filmmaking, directing, creative design and business to educational outlets. With an accumulative of over twenty plus years of Creative experience, from design, video production, audio production, filmmaking marketing, social media, photography and videography and much more, his momentum to make an impact only grows stronger. Also an actor, voiceover professional, CEO of Design business Splash Designworks, Film & Video Production studio Crystal Fox Films, and creates EDM music and more. In addition, Official Film Festival Director and Judge. A feature film on Amazon Prime, Tubi TV, Vudu, IMDb TV (Freevie), produced such video and film projects seen on Apple, ABC, Judge Judy, Hot Bench, Steve Harvey's Family Fued and more! As a true "family first" business, he and his family continue their focus on producing filmmaking content while maintaining a non-Hollywood approach of working hard, teamwork, no-drama, loyalty and trust factors, and not selling out their values and integrity for the broken promises of success. “Life isn’t about finding yourself; life is about creating yourself.” -George Bernard Shaw #filmmaking #filmmaker #filmmakinglife #filmmakerlife #castingdirector #castingdirector #castingcalls #actorlife #actorchallenge #actorslifestyle #movies #actorslife #filmfreeway #filmfestival #filmfestivallife #movieproducer #director #Delaware #setlife #investors #entrepreneurlife #ceolife #actresslife #producerlife #screenwriters #screenwriting SHOWREEL LINK: https://lnkd.in/eWfGpK9q
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Senior Strategic Communications Manager at Regence BlueShield
7moCongratulations, JR!