French Quarter Magazine’s Post

 🤔 Who are the new generation of art collectors? The new generation of collectors are frequently misunderstood. At Avant Arte we know them well and wanted to change that. We believe firmly in the potential this community has to support the art world. So, we spoke to 1,500 of our collectors. Here’s what we found. Read the report: https://lnkd.in/e2ZFpYnB

“90% of the new generation of art collectors don't believe that the art world is welcoming or inclusive. While most describe it positively as inspiring, thought-provoking, enriching, and innovative, they still have their concerns with the art world: 1 in 3 believe the art world is elitist 1 in 4 describe it as pretentious 1 in 5 believe it is intimidating" (Source: Avant Arte, "Collector Report 2024)  🤔 ✨ Embracing the Next Gen of Art Collectors: Without a doubt, it is time for the traditional art market and its participants to begin embracing the next generation of #artcollectors. However, it is also critical to truly understand the differences in their #values, #collectingmotivations, and #buyinghabits.   🔍This new generation is undoubtedly redefining the narrative surrounding #artcollecting. Motivations go beyond mere art appreciation or investment in the pursuit of true #connection and #impact. #Ownership takes on new and varied forms, and status is no longer a primary driving force. Instead, authenticity, personal #resonance, and #socialresponsibility have a significant impact on their collecting motivations.   💡💥In this dynamic environment, adaptation is key. So thank you 🙏 , Avant Arte, for providing such valuable information about today's new collectors, as well as this insightful #report👇, which will undoubtedly contribute to the #sustainability of our industry. 🎇   #nextgenartcollectors #artmarketresearch #report #collectorsperspective #futureofcollecting #knowyouraudience #innovation #artandtechnology #futureoftheartmarket  

🌀   Optical vs Kinetic: What is the Difference? 🤔 👀 Watch the video and discover how in the 1950s and ‘60s artists transformed visual perception into movement and movement into art.  On the occasion of the exhibition dedicated to Marina Apollonio, one of the museum’s galleries celebrates the Optical and Kinetic works collected by Peggy Guggenheim, testifying to her support of the art of her time.    #PeggyGuggenheimCollection  #OpticalArt #KineticArt  #MarinaApollonio 

⚠️ Nearly one-third of U.S. solo museum exhibitions are handed to artists represented by just five galleries. This isn’t coincidence—it’s gatekeeping. A small elite decides whose voices are heard and whose are silenced. This concentration of power doesn’t just skew the art market—it distorts our cultural narrative. Museums are writing a homogenous, one-sided art history, leaving the richness of diverse perspectives untold. How much talent, innovation, and cultural truth are we losing to these practices? It’s time for institutions to dismantle the imbalance they uphold. We demand an art history that represents all of us. The art revolution starts now. #ArtMarket #EquityInArt #RepresentationMatters #DiversityInArt #ArtWorldRevolution

Conclusion: By examining these sources, we can see that Kicki Andersson's art collection is likely considered an asset within her companies. The recognition of art as an investment, participation in public exhibitions, and positive client feedback all contribute to this understanding.

Art History is not just looking at pictures. The study of art, its practice and its histories is integral to understanding humanity's past, present and future, its global civilisations, its triumphs and tragedies. At its core, art history reveals the visual world as intrinsically linked to the social, cultural and political, but also to philosophy, psychology, medicine, aesthetics, anthropology, the natural and built world, climate and weather, conflict and faith, media, film, literature, the news, and more... so much more. Studying art is crucial for understanding the times we live in, its differences, influences, peoples and cultures, its politics and futures, its objects and images-from humanity's first markings to AI. Understanding the power of images and their influence is essential in our increasingly complex world. #ArtHistoryNow.

🎨 What Is the Boundary of Art? The boundary of art is a complex topic worth discussing. The creator faces the challenging task of bringing their vision to life, while the audience's role is to see, feel, and interpret it. However, many contemporary artworks are increasingly complex, making them difficult to understand. In this context, the museum "try to surprise the visitor all the time", but who knew there was a bigger surprise waiting for them. Link for the full article: https://lnkd.in/d8xNyvxp

The global influence of local art Art has the unique ability to transcend borders, connecting people from different cultures and backgrounds. Local art, with its rich cultural significance and unique perspectives, can have a profound impact on a global scale. CIVICO is dedicated to showcasing the work of local artists and connecting them with a worldwide audience. This article explores the global influence of local art and how CIVICO’s international reach is transforming the art community. Read more:👇https://lnkd.in/e_syV-Cp

Perridak Arts is boosting the local Aboriginal art industry and taking First Nations culture to international audiences. With the support of the Ballarat and District Aboriginal Co-Operative, artists are in the driver’s seat with full artistic licence to create in a culturally safe environment. We’re proud to have supported the establishment of the gallery and its work to boost self-determination for First Nations artists. https://lnkd.in/g8hjpN4N

As artists, we must continue to fight for our place, drawing strength from the perseverance of those who came before us. And for society, it’s a call to recognize that art has always been essential, even if it takes generations to see its worth. New Blog Post https://lnkd.in/eN_YG5A7