DIFF | Dallas International Film Festival’s Post

I'm very proud to be part of this feature length documentary. Mark continues to raise awareness about an issue that urgently needs addressing. If we continue to ignore the lack of working class voices in the screen industries, we are on the brink of UK media being created solely by the rich and well connected (or are we already there?). We need a level playing field now. #workingclass #tvandfilmindustry #discrimination https://lnkd.in/dtmheTUV

https://lnkd.in/gfYi5p7J Film Collectors can be a jealous lot, as I explain in this week's Archival Spaces blog.

Excited to share recent news from The Library of Congress. Sidney Poitier and Bill Cosby's films were featured in the Warner Brothers' trilogy of Classic Black Films, including "A Piece of the Action", "Uptown Saturday Night", and "Let's Do It Again". Each film showcased their amazing character performances; Each film featured new characters and actors, including Harry Belafonte, John Amos, Denise Nicholas, Calvin Lockhart and Richard Pryor as "Sharp Eye" Washington! Check out the article to learn more about how the Library of Congress honors Black cinema in the 2024 film registry. #publicrelations #streamingmedia #advertisingandmarketing #viralmarketing #creativeadvertising #artificialintelligence Read more about it here:

Discussions on Short Film Distribution 🗺️ In recent years, Talking Shorts has collaborated with film festivals and institutions to co-host discussions on short films. This first highlight focuses on four key conversations about short film distribution, held between 2020 and 2022. 1- DIY Short Film Distribution - Talents and Short Film Market, 2022 with Marija Apcevska, Leonardo Martinelli, Cristina Picchi, Anne Gaschütz 2- Everything You Never Dared To Ask About Distribution - Clermont-Ferrand International Film Festival, 2022 with Anaïs Colpin, Ben Vandendaele, María Vera, Anne Gaschütz 3- What’s The Point of A Premiere Status? - Filmfest Dresden, 2020 with Nikita Diakur, Asja Krsmanovic, Julie Rousson, Marija Milovanovic 4- Other Perspectives - Short Film Conference, 2020 with Katie McCullough, Lasse Linder, Niki Lindroth von Bahr, Sergio Fant, Aneta Ozorek Continue watching these conversations that shine a light on the intricacies of short film distribution at https://lnkd.in/dfUKBd5Y! Festival du court métrage de Clermont-Ferrand Short Film Conference Marija Apcevska Leonardo Martinelli Cristina Picchi Anais Colpin Vandendaele, Ben Maria Vera Julie ROUSSON Kate McCullough Sergio Fant Aneta Ozorek #shortfilm #shortfilms #discussion #paneltalk #filmfestival #filmfestivals #industrypanel #shortfilmindustry #filmindustry #shortfilmdistribution #filmdistribution

Please follow the link and read my article based on the short film Fading Echoes, directed by Toyosi Ige https://lnkd.in/ej_VVmJG

Our latest blog post celebrates Ireland’s great cinema, in honor of St. Patrick's Day last weekend. ☘️💚 We emphasize films made solely by Irish filmmakers about the cultural and historical facets within Ireland itself. Let us know what you think! And comment below your favorite Irish film! 🇮🇪 #Haydenfilms #Filmmakers #Filmmaking #Storytelling #Film #Cinema #FilmCommunity #IrishFilm #StPatricksDay #IrishMovies #IrishCinema #IrishFilmmakers 

The blockbuster Bengali film ‘Bohurupi’ has become the highest-grossing Bengali film of 2024, cementing its legacy in the region’s cinematic history, PTI reported... Read More At:- https://lnkd.in/gN_eDFmt #bengalifilm #Bohurupi #bengalifilm #cinematic #news #NewsUpdate #newsfeed #dailynews #IBWNews

My dear friend Darren K Hawkins, the Director, and producer and co-writer of “Kennedy” speaks to Cinema Australia about our upcoming film. If you’d like to learn more about this incredible feature film, click the link below. #kennedythefilm

https://lnkd.in/gH7PZhmk "It is my belief that The Prestige is Christopher Nolan’s best film, and here is why. The convoluted sequencing of the narrative jumping around in time and everything actually works, for perhaps the only time in his post-Memento filmography, to complement the plot and enhance it. Nolan, and his fiendishly idiotic brother, drive me crazy by insisting that every film they make must also be a study in nonlinear storytelling. Rarely is this actually justified by the story they are telling. In fact, it usually just smacks of gimmickry. Why did Dunkirk need to have three story-lines interlaced through time like some kind of illusory Joycean fever dream? It didn’t. Why did Season 2 of Westworld need to have that insanely complex structure? It didn’t. But in The Prestige, you can much more easily make the argument that the narrative complexity was necessary for the story they are telling – because it mimics the structure of a magic trick. Michael Caine even describes what we are about to see in the opening monologue, when he explains the anatomy of a magic trick:"

The latest Anatolian drama from Nuri Bilge Ceylan is challenging but welcome, reminding us that cinema is an art form capable of delivering deeply serious work. Read the review: #Film #FilmReview