Cristian Spagnuolo’s Post

Here’s article from Hollywood reporter on the changes to this years cohort.

"Creating this series has been one of the absolute joys of my life," Gunn told the crowd at the presentation for the Max animated series. Follow the link below to read more https://lnkd.in/ghXrnC6J

Sufficiently entertaining and self-reflexive:

Try out this easy transitions in your next edit.

Just had to chime in on this.   Tom Brevoort, Marvel Comics’ Executive Editor, has fallen into the same trap that many of the industry’s creators have: clapping back at fans.   His latest tiff with readers regards innumerable comments made about the forthcoming X-Men ’97 show, the much-anticipated follow-up to the X-Men Animated series that debuted in 1992.   I won’t bother getting into the whole ‘woke’ debate as that’s not the issue I’m trying to address here. Rather, it’s Brevoort and his ilk (Mark Waid, Tom King, Donny Cates just to name a few), who rant and rave at fans, dismissing their opinions, and even insulting them.   Maybe they have a point. But that isn’t THE point. Because the fans and readers do have a voice. And when they’re displeased, it’s the comic book publishers and creators who need to listen and react proactively and positively instead of name-calling and finger-pointing.   And let’s be honest…if readers didn’t have a leg to stand on, Marvel, DC and so many other publishers wouldn’t be having their lunch eaten by manga.   I’ve been reading books since I was six. In my opinion, the quality of art, and especially the level of storytelling is, by and large, well...it ain't good. Where before creators were passionate about what they did, many of today’s incarnations seem hellbent on using these beloved properties as sounding boards for their personal agendas and POVs. This isn’t anything new. But these views didn’t drive stories in the past. They enhanced them, allowing the narrative and characters to remain where they should be, which is front and center.   So, until the Western companies decide that their readerships matter, we’ll keep talking about the same things…poor sales, disillusioned fans, spiteful, disrespectful creators, yadda, yadda, yadda. I truly hope this changes, and we can get back to the fun and wonder that comics are supposed to bring.   Until then…I’m off to read the next volume of One Punch Man. 'Nuff said! #marvelcomics #dccomics #manga #respect #storytelling #fansmatter

Continuing Series on F**K the Hero's Journey! Slides #37: Wavelette—Not Your Average Climax Who said your story needs one big climax? Let’s talk about Wavelette structures. 🌊 • Think Atlanta, Fleabag, or The Square. These stories break away from the traditional arc, delivering mini-climaxes that ripple with meaning. Also please read/see the work of UK playwright Carol Churchill... a pioneer in this structure. • Imagine creating stories where characters weave in and out, or even disappear for 40% of the show—and it still works! • In real life, emotions ebb and flow—shouldn’t your stories do the same? Let’s move beyond the narrative mountain! Further Resources/Reading/Watching: Le Guin on Writing: Steering the Craft: https://buff.ly/3XFLr95 Why Mr. Campbell is best left behind: Carol Churchill's work: https://buff.ly/3Xpmo8y

A common mistake I see a lot of beginner editors making is relying on fancy transitions to move from scene to scene. Some of the best transitions, however, are as simple as a sound bridge. I talk about this in today's video :)

Caught between shadows and light, their choices blur the lines of right and wrong. Morally grey characters are the trickiest characters to build. Want to give it a go? Head to the comments section and share your thoughts! #readwriterrelatededitorials #writingcommunity #writersunite #writingprompts #MorallyGrey #CharacterJourneys