From the course: Video Post Production Weekly
Effect experiment in After Effects
From the course: Video Post Production Weekly
Effect experiment in After Effects
(intro jingle) - Welcome to this special episode of Video Post-production Weekly. Over the past few month, we've accumulated together important knowledge about post-production, and we thought that this is the time to put it to the test. And we'll do it by introducing a mograph challenge that we can critique in our live stream. So the first challenge will be a short experiment in After Effects. The brief is quite simple. You should use up to three built-in effects, which are not commonly used to create an interesting background animation. What do I mean by this? The idea here is to generate something from nothing, using rare effect combination and come up with a unique result. Now, I urge you not to use common effects, like fractal noise or turbulent noise, that we've already seen a million times. Try to avoid the popular 4-color gradient effect or the radial waves one, and go with effects you never used before. The purpose here is to ignite your creativity by limiting you to only three effect and to help you get more acquainted with the unfamiliar parts of After Effects. To help you get started and show you what we are expecting to see, here are two examples of effect combinations that I came up with. So this is the first one. First I'm going to play it for you. You can see that we have some animating cells that pause for a moment. And we can, of course, inject some graphics here and there. Now, the way that I did it is by starting with the cell pattern effect, then adding the color offset, and then finally I'm using Colorama. So this is the first effect on its own. And you can get a sense that I'm using the Pillow settings here, and I'm also animating the invert option. This is what's causing this flickering. And of course I can press U so you can get a sense of the keyframes I'm using here. I'm animating the evolution. And on top of it, I'm using the CC color offset, which helps to create this kind of a colorful background. And then I'm returning to the black-and-white version. And just to make it look as if it was designed with the same color scheme, I'm adding the Colorama effect, and under the output cycle I'm using the granite preset. So, this is the result. Another example here is this wavy lines, which are changing their colors. And this one is made with the Venetian Blinds effect, the Wave Warp, which is animating on its own, and then an instance of the color balance, in parenthesis H L S. So again, I'll switch off the visibility of the two effects so you can see this is what the Venetian Blinds are doing, just orbiting around the screen using this direction animation. I'm setting the transition completion to 50%, and then by adding the Wave Warp effect and making sure to pin all the edges to the corners, I can create this very interesting animation. So again, I changed the direction here, played with the wave height and width, and just changed the default speed to be a little bit slower. And to colorize the entire thing, because right now I'm using this deep cyan solid layer and the black bars are the result of the Venetian Blinds, so to colorize everything, I'm adding this color balance effect and just shifting the hue over time. So you can do this challenge on your own, but we would love to see what you can come up with and also offer our 2 cents as a critique. So please consider sharing your results with us in our live stream, that shadows this show every couple of weeks. You can follow Nick's LinkedIn profile or mine to see when the next show is airing and join us there with your submissions. Good luck and see you soon.
Contents
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The vast world of post-production1m 32s
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What is a story?5m 11s
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Quick tip in under two minutes: Storyboard editing in Premiere with Frame View2m 15s
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The art of repetition and randomness in MoGraph4m 57s
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Quick tip in under two minutes: Creating simple but complex-looking animation in minutes1m 34s
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Contrast, value, size4m 23s
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Quick tip under two minutes: Three compositing tricks1m 53s
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Thinking about compositing: Layers vs. nodes3m 25s
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Quick tip under two minutes: Automatic white balance in FCPX, Premiere, and Avid2m
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White balance 1016m 23s
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Use previews for export5m 16s
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Planning for export1m 56s
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The importance of good organization4m 41s
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Missing smart collections in FCPX57s
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Search bins in Premiere Pro2m 42s
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Quick tip under two minutes: Setting up a dummy project in After Effects2m 6s
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Saving time: Building procedural workflows7m 4s
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The importance of effects order5m 30s
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Quick tip under two minutes: Any layer can be an adjustment layer1m 27s
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Managing client feedback3m 56s
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Quick tip: Frame.io in FCPX, Wipster in Premiere Pro2m 4s
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Tips for working with greenscreens in After Effects2m 1s
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Tracking objects4m 25s
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iOS apps for post-production1m 36s
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Extreme slow motion4m 24s
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Variable speed3m 16s
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Split editing to elevate4m 5s
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Music timing tricks2m 11s
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The beginners' guide to 3D8m 24s
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3D navigation made easy1m 47s
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Digital makeup2m 20s
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Face mask tricks3m 47s
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An overview of post-production5m 11s
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Watch before you edit1m 47s
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An overview of post-production4m 41s
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Post stage overiew, part 4: Color5m 23s
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Quick tip: Group node correction in Resolve2m 5s
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Post stage overview, part 5: Animation3m 42s
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Quick tip: Keyframe tricks in After Effects2m 58s
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Post stage overview, part 6: Compositing3m 48s
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Quick tip: Light wrap5m 5s
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Proxy workflows in video editing6m 46s
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Quick tip: Naming files2m 9s
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Post stage overiew: Delivery3m 59s
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Quick tip: Watch folder setup2m 27s
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Learn something new: Effect experiments overview2m 40s
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Effect experiment in After Effects4m 27s
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Effect experiment in Premiere Pro3m 52s
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Video fields forever4m 34s
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Quick tip: Digital media analysis tool1m 49s
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Quick tip: Upscaling clips and removing dust in After Effects5m 19s
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The future of 3D: Real-time rendering5m 18s
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Quick tip: Multi-frame rendering in After Effects3m 8s
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AI and me: How AI is being used in video editing and motion graphics5m 51s
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Quick tip: Using text-to-speech for CC In Premiere Pro4m 47s
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To template or not to template4m 24s
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Quick tip: Accessing free content on Adobe Stock2m 25s
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Tips for recording voice-overs3m 38s
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Changing sentence connotation in Adobe Audition4m 3s
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GPU accelerated effects in Premiere4m 14s
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Layer vs parallel nodes2m 46s
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Node shortcuts in Resolve2m 39s
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Text tricks in After Effects10m 41s
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The power of pinning text in Premiere Pro6m 37s
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AE graph editor4m 36s
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Simplifying your timeline2m 52s
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Ready your timeline for final mix4m 29s
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Better performance in After Effects and Premiere Pro4m 19s
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Quick tip: GPU accelerated effects in AE3m 17s
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Working with multiple monitors3m 46s
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Auto Tone in Premiere1m 40s
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Export and upload to Vimeo from Premiere3m 21s
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Viewing the MFR process2m 13s
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Role workflows in Final Cut Pro6m 14s
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Using Labels for effect selection1m 50s
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Preparing AEC files11m 6s
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Cineware workflow5m 16s
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Speed and scale resizing using machine learning in Resolve3m 36s
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Working with a reference movie in Resolve3m 21s
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Dynamic linking from Premiere to After Effects7m 6s
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Baking a dynamic linked file6m 5s
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Interpreting RAW footage in After Effects4m 26s
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Looping techniques in After Effects6m 52s
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Trimming techniques with Trim Edit mode in Premiere6m 26s
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Edit faster in Premiere pro with keyboard shortcuts4m 21s
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