From the course: VFX Keying: Master Course
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Pre-processing the clip for the keyer - Nuke Tutorial
From the course: VFX Keying: Master Course
Pre-processing the clip for the keyer
- [Instructor] In some situations pre-processing a green screen or a blue screen with color correction can dramatically improve the key. But be careful, you can also make things worse. Now there are a million possibilities to applying pre-processing to improve your keys, so the examples here are just a few to get you thinking in the right direction. So let's start by taking a look at this over-exposed shot. If we look at the code values up here, I'm going to sample the blue screen. Look at this, 1.8. Now that blue screen should have a brightness of maybe 0.7, 0.8, 0.6, somewhere in that neighborhood. Now if we look at these whites, look at this, 2.1, 2.1, 2.68. Way over-exposed. As a result keyer produced this very nasty edge. You see, every keyer has a sweet spot where it expects the color to be, and if you go outside that sweet spot you don't get a good key. So what I did was I took the original picture, just applied this Grade node here, where I just gained it down to point five…
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Contents
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Step 1: Analyze the clip13m 34s
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(Locked)
How to manage grain and noise5m 14s
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Pre-processing the clip for the keyer12m 2s
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Screen-correction workflow11m 45s
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Tips on adjusting the IBKColor node12m 19s
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How the IBKColor assist works6m 24s
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(Locked)
Building a clean plate from a clip8m 3s
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Building a clean plate without an IBK node4m 20s
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Working with a real clean plate4m 53s
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(Locked)
Retaining shadows with screen corrections11m 45s
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(Locked)
Stack IBKColor nodes for cleaner clean plates5m 30s
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Good (and bad) tracking markers7m 32s
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(Locked)
Tracking marker removal techniques12m 39s
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(Locked)
Removing tracking markers with screen correction5m 19s
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