From the course: Live Sound Engineering Techniques: On Tour with Rush
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Using audience microphones to connect the band to their fans
From the course: Live Sound Engineering Techniques: On Tour with Rush
Using audience microphones to connect the band to their fans
There's a phenomena that happens with musicians when they're on stage. Especially in an arena setting or a large scale production where all the low end for the audience, well it's pointed out there. So any low end that the band is getting is just kind of a left over afterthought, if you will. One of the things I always do, I like to do with my bands, I always put subs on the stage. I cross them over really, really low, so it's just the really lowest notes. And I only low end energy in them, the bass drum, maybe a floor tom, the bass guitar. If there is a Taurus pedal or really low keyboard note, I like to put that in them in as well. Doing that attaches the musician to the stage. They're not relying on the low end from out there just to come back and hopefully it'll be enough. And by attaching them to the stage, it gives them a feel for what's really happening. Especially since we don't have base cabinets or guitar cabinets on stage, it allows me to put some low end on stage that they…
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Guitar world: Getting the Alex Lifeson guitar sound3m 56s
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Guitar world: Alex Lifeson's guitars1m 36s
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Triggering offstage samples with MIDI pedals40s
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Alex Lifeson's stage position42s
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Placing microphones on Neil Peart's drums and the rotating riser5m 29s
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Geddy Lee's stage position: Vocals, bass, and keyboards57s
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Bass world: Getting Geddy Lee's bass sound41s
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Using audience microphones to connect the band to their fans2m 6s
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Getting a great isolated sound from the string section2m 19s
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