From the course: Carter Beauford: Under the Table and Drumming
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Technique
From the course: Carter Beauford: Under the Table and Drumming
Technique
- For a number of years I've been playing what is known as timpani grip or match grip or French style grip or what I refer to as African grip. When I play straight ahead gigs, or straight ahead jobs, I go back to my traditional style of playing with, sometimes I'll put my snare drum and high hat back on the right side and there are times when I leave it on the left, it just depends on how I feel that particular night when I'm doing the gig. But more than likely I'm going to use the traditional style grip either side, so with my ride on my left side and my high hat and snare on my left side I'm going to use the traditional style grip, and when I have my snare and high hat on the right side, it's going to be just the same traditional grip. Single stroke rolls have been the focus of my playing for all of my career, actually. It's something that I've grasped hold of when I saw Buddy Rich for the first time in my life. I was…
Contents
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Background and influences7m 53s
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Hi-hat approach3m 57s
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Satellite hi-hat groove1m 16s
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Funk groove with broken hi-hat1m 5s
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Say Goodbye: Conversation1m 12s
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Say Goodbye: Performance6m 14s
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Technique1m 51s
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Drum sound and cymbal setup6m 58s
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Double-bass drums3m 26s
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Two-step groove2m 53s
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Tripping Billies: Performance4m 51s
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Volume one conclusion and credits5m 11s
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