From the course: Audio Recording Techniques
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The keys to a great drum sound
From the course: Audio Recording Techniques
The keys to a great drum sound
While the definition of a great sounding drum kit is different to different people, in the studio it usually means that the kit is free of buzzes and sympathetic vibrations. This means that when you hit the rack tom the snare doesn't buzz and the other toms don't ring along with it, and if you hit the snare the toms don't ring along either. Let's have a listen to a great sounding kit. (music playing) Note the lack of buzz and sympathetic vibrations. When the drummer hit the snare you can hear the toms ring too much, when he hit the toms you didn't hear the snare rattle. Let's have another listen. (music playing) So how do you achieve this drum nirvana? It's all in the tuning and the kit maintenance. Note how balanced the cymbals are with the rest of the drums. Heavy cymbals are good for live, but might not work for recording. (music playing) Usually thinner cymbals sound better in the studio, because they are brighter sounding and not as loud. (music playing) Try not to mix light and…
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
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(Locked)
Finding the right placement in the room for the drums1m 48s
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The keys to a great drum sound2m 2s
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Tuning the drums2m 19s
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Tuning tips and tricks2m 26s
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Miking the bass drum without a front head2m 15s
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Miking the bass drum with front head port1m 5s
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Miking the bass drum with a front head1m 12s
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Using a subkick microphone1m 31s
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Miking the snare drum: Technique one3m 2s
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Miking the snare drum: Technique two57s
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Adding a bottom snare mic1m 45s
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Miking the hi-hat2m 14s
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Miking the toms2m 24s
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Miking the cymbals3m 14s
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Miking the overall kit1m 25s
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Using room mics2m 2s
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Getting the drum sound2m 47s
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Getting the correct drum mix balance2m 50s
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Checking the drum phase2m 18s
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Panning the drums2m 25s
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Tweaking the drum sound with EQ3m 10s
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Using the one-mic drum recording technique2m 37s
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Using the two-mic drum recording technique1m 5s
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Using the three-mic drum recording technique1m 45s
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Using the four-mic drum recording technique1m 26s
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Tips for drummers to use before recording1m 15s
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Tracking a solo drum part1m 10s
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