From the course: Audio Recording Techniques
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Miking the bass drum without a front head
From the course: Audio Recording Techniques
Miking the bass drum without a front head
The bass drum anchors the band, and along with the snare, provides the pulse of the song. Because it can come in different sizes and can be played with the front head on or off, its sound will vary a lot more than with the other drums. Most of the time you'll get the best sound out of the bass drum for recording if the front head is removed, since this gets rid of any overtones that the combination of the front and rear head might produce. (music playing) In order to mic the bass drum without a front head first place the pillow, some towels, or blanket inside the kick drum so it's just touching the head. Secure it with the weight or even a brick on the packing material to keep it from slipping. (music playing) If the bass drum rings too much when struck, push the packing tighter on the head. If it's too dead loosen the packing a little bit. A large diaphragm dynamic mic like an AKG D112, Shure B 52, EVRE 20 or 320, or Heil PR40 is typically used in order to obtain the girth and the…
Practice while you learn with exercise files
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- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
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(Locked)
Finding the right placement in the room for the drums1m 48s
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The keys to a great drum sound2m 2s
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Tuning the drums2m 19s
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Tuning tips and tricks2m 26s
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Miking the bass drum without a front head2m 15s
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Miking the bass drum with front head port1m 5s
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Miking the bass drum with a front head1m 12s
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Using a subkick microphone1m 31s
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Miking the snare drum: Technique one3m 2s
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Miking the snare drum: Technique two57s
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Adding a bottom snare mic1m 45s
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Miking the hi-hat2m 14s
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Miking the toms2m 24s
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Miking the cymbals3m 14s
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Miking the overall kit1m 25s
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Using room mics2m 2s
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Getting the drum sound2m 47s
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Getting the correct drum mix balance2m 50s
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Checking the drum phase2m 18s
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Panning the drums2m 25s
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Tweaking the drum sound with EQ3m 10s
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Using the one-mic drum recording technique2m 37s
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Using the two-mic drum recording technique1m 5s
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Using the three-mic drum recording technique1m 45s
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Using the four-mic drum recording technique1m 26s
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Tips for drummers to use before recording1m 15s
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Tracking a solo drum part1m 10s
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