From the course: Audio Foundations: Reverb
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Shaping tone and timbre with reverb
From the course: Audio Foundations: Reverb
Shaping tone and timbre with reverb
The acoustic guitar is a great instrument for demonstrating the timbral effect of reverb. Listen out to David as he plays his acoustic guitar tracked without effects. (music playing) This guitar tone is beautiful as is and could be further reshaped with compression and EQ and Delay, but we'll take it two different directions here using reverb. One production approach will make it sound fuller, deeper, warmer. It's just an acoustic guitar whose lowest frequency note is around 80 hertz. But now, let's send it to a medium room whose low-frequency Reverb Time lasts longer than its high frequency reverb times. (music playing) Notice that with the reverb on, the acoustic guitar sounds fuller and warmer, and this is achieved not with EQ, but simply by using a reverb whose frequency parameters are set so that the low-frequency reverb times last longer than the mid and high frequency reverb times. Orchestra sound full and lush by playing in those big halls with low-frequency reverb extension…
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Contents
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Choosing the right reverb for each of your tracks2m 17s
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Simulating space with reverb5m 42s
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(Locked)
Hearing space in the mix6m 33s
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(Locked)
Timbre and texture3m 36s
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(Locked)
Shaping tone and timbre with reverb5m 49s
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(Locked)
Creating contrasting sounds for your tracks4m 43s
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Using nonlinear reverb to help a track cut through4m 25s
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(Locked)
Emphasizing the reverb using predelay3m 23s
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(Locked)
Strategically blurring and obscuring tracks1m 46s
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(Locked)
Get in the Mix: Changing the scene by changing reverb7m 37s
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(Locked)
Get in the Mix: Gating reverb to emphasize any track in your production5m 52s
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(Locked)
Reversing reverb to highlight musical moments9m 36s
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(Locked)
Synthesizing new sounds through reverb6m 42s
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Get in the Mix: Supporting a track with regenerative reverb6m 31s
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(Locked)
Getting the most out of room tracks17m 39s
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