San Antonio Museum of Art

San Antonio Museum of Art

Museums, Historical Sites, and Zoos

San Antonio, TX 4,978 followers

Explore 5,000 Years of Art, People, and Culture

About us

We have five millennia of art in a complex of buildings that once housed the Lone Star Brewery. We're renowned for our collections of Latin American, Asian and Ancient Mediterranean Art and we have a growing and notable contemporary collection, including Texas and regional art.

Website
http://www.samuseum.org
Industry
Museums, Historical Sites, and Zoos
Company size
51-200 employees
Headquarters
San Antonio, TX
Type
Nonprofit
Founded
1981

Locations

Employees at San Antonio Museum of Art

Updates

  • This past Friday, Ann Rockefeller Roberts passed away, leaving a lasting legacy through her contributions to the San Antonio Museum of Art and her dedication to preserving indigenous art traditions. Following Nelson Rockefeller’s death in 1979, Ms. Roberts acquired approximately 3,500 pieces of Mexican popular art from his collection, carefully curated them, and generously donated them to both the San Antonio Museum of Art in Texas and the Mexican Museum in San Francisco. Her vision helped establish the Nelson A. Rockefeller Center for Latin American Art at SAMA—the first center in the U.S. dedicated to the study and exhibition of Latin American art.   https://lnkd.in/gySui5kY

    Ann Rockefeller Roberts, Champion of Native Americans, Dies at 90

    Ann Rockefeller Roberts, Champion of Native Americans, Dies at 90

    https://www.nytimes.com

  • We are excited to announce that the San Antonio Museum of Art has acquired Patrick Martinez’s “Jaguar Guardian.” The colorful neon lights, stucco, ceramic tiles, and faded graffiti in Patrick Martinez’s work appears to be taken directly from a local storefront. The array of materials and imagery Martinez uses to construct the layered surfaces of his “landscape paintings” connects far-reaching time periods and histories in an exploration of memory, cultural hybridity, and the changing urban landscape. In addition to referencing today’s vernacular signage and neighborhoods, Martinez also incorporates Mesoamerican imagery. The open-mouthed jaguar is drawn from the murals of the Cacaxtla archaeological site in Central Mexico (650-950 CE). “Jaguar Guardian” is on view at the Dallas Contemporary in Patrick Martinez’s solo exhibition “Histories” closing January 4, 2024 and will be on view in SAMA’s Contemporary II gallery in April 2025. _ Patrick Martinez, American, born 1980, Jaguar Guardian, 2024, Stucco, neon, mean streak, ceramic, acrylic paint, spray paint, latex house paint, banner tarp, rope, stucco patch, ceramic tile, tile adhesive on panel, 60 × 120 × 5 in. (152.4 × 304.8 × 12.7 cm), San Antonio Museum of Art, purchased with The Brown Foundation Contemporary Art Acquisition Fund, 2024.12, © Patrick Martinez, Image courtesy of Charlie James Gallery

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  • December at SAMA— ✨ Teen Studio: Archaeology of Memory Tuesday, December 3 | 5:30–7:00 p.m. 🏺 Off The Wall Tours Select Tuesdays | 5:30–6:30 p.m. December 3 | Tipsy: The Art of Intoxication December 10 | A Bit About Blue December 17 | Signs & Symbols 🎨 Kids’ Studio: Press, Print, and Celebrate! Wednesday, December 11 | 10:00–11:15 a.m. 🕯️ Special Exhibition Tours Tuesdays | 4:30–5:30 p.m. Sundays | 1:00–2:00 p.m. 🎁 Holiday Hours Christmas Eve: Open from 10:00 a.m.–3:00 p.m. Christmas Day: Closed New Year’s Eve: Open from 10:00 a.m.–3:00 p.m. New Year’s Day: Closed Full calendar: https://lnkd.in/gkb4ByF3

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  • Upcoming lecture:  Recovering “Religión Casera” in Chicana/x Art and Consciousness with Lara Medina Tuesday, November 19 | 6:00–7:00 p.m.   Dr. Lara Medina, a professor in the Department of Chicana and Chicano Studies at California State University, Northridge, will share her reflections as a third generation Chicana profoundly influenced by Amalia Mesa-Bain’s altar-installations. Medina’s own scholarly work on the “origins” of altar making within a Chicana indigenous legacy will highlight the historical, spiritual, social, and political significance of altar making and its contemporary manifestations.   Tickets: $5 | Free for Members Register:  https://lnkd.in/gvsS_kCd  

    • Image caption: Amalia Mesa-Bains: “Venus Envy Chapter I: First Holy Communion, Moments Before the End” (detail), 1993/2022; Mixed-media installation including fabric, photographs, clothing, found objects, mementos, mirrors, found furniture, sand, dried petals, candles, laser prints on wall, pearls, and found images; 240 × 120 × 72 inches (609.6 × 304.8 × 182.88 cm). San Francisco Museum of Modern Art.
  • San Antonio Museum of Art reposted this

    Amalia Mesa-Bains is an artist and cultural critic who has worked to define Chicano and Latino art in the United States and Latin America. Mesa-Bains is best known for her large-scale installations and interpretations of traditional Chicano altars and ofrendas.   In Five Questions for Amalia Mesa-Bains, NALAC’s Armani Martinez speaks with Mesa-Bains about the inspirations, experiences, and reflections that shape her distinctive altar-making practice. Her retrospective exhibition, Amalia Mesa-Bains: Archaeology of Memory, is currently on view at San Antonio Museum of Art from September 20, 2024–January 12, 2025.

    NALAC celebrates Día de los Muertos

    NALAC celebrates Día de los Muertos

    https://www.nalac.org

  • Jane Peterson was born #onthisday in 1876 in Elgin, Illinois. Peterson was a pioneering American artist renowned for her vibrant colors, dynamic compositions, and innovative blend of styles. She pursued her formal art education at the Pratt Institute, later studying oil and watercolor under Frank DuMond. Driven by an adventurous spirit uncommon for women of her time, Peterson expanded her studies in Europe, learning from artists like Frank Brangwyn, Jacques Blanche, and André L’Hote. In Paris, she connected with influential figures like modernist collectors Leo and Gertrude Stein, and artists Pablo Picasso and Matisse. In Madrid, Peterson studied with Spanish Impressionist Joaquín Sorolla y Bastida, whose influence profoundly shaped her work. “A Landing Along Grand Canal, Venice.” Currently not on view. — Jane Peterson (American, 1876 - 1965), “A Landing Along Grand Canal, Venice,” ca. 1910, Venice, Italy, Europe, Oil on board, 17 3/4 × 17 3/4 in. (45.1 × 45.1 cm), Gift of Mrs. Wylie F. Creel in memory of Dr. Wylie F. Creel, 91.85.3, Signed lower right: Jane Peterson.

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  • November at SAMA— 🧘🏽♀️ Sound Healing in the Museum Saturday, November 9 | 9:00–10:00 a.m. Guided by Yolpaki Coaching 🏛️ Off The Wall Tours Select Tuesdays | 5:30–6:30 p.m. November 12: Rulership & Citizenship in the Ancient World November 26: Larger than Life: Powerful Women in Art 🎨 Kids’ Studio: Thinking with a Line Wednesday, November 13 | 10:00–11:15 a.m. 🕯️ Recovering “Religión Casera” in Chicana/x Art and Consciousness with Lara Medina Tuesday, November 19 | 6:00–7:00 p.m. 🎁 Holiday Market and Family Fun Saturday, November 30 | 10:00 a.m.–4:00 p.m. Learn more: https://lnkd.in/gkb4ByF3

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