The Centurion (Roman Soldier), painting by Jacques Joseph Tissot, (James Tissot), 1886-1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-centurion-roman-soldier-painting-by-jacques-joseph-tissot-james-tissot-1886-1894-image439895150.html
RM2GFJXN2–The Centurion (Roman Soldier), painting by Jacques Joseph Tissot, (James Tissot), 1886-1894
Photograph of a painting of a Roman soldier on a wall in the ruins of the ancient Roman city of Pompeii Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-photograph-of-a-painting-of-a-roman-soldier-on-a-wall-in-the-ruins-37090375.html
RMC49H47–Photograph of a painting of a Roman soldier on a wall in the ruins of the ancient Roman city of Pompeii
Longinus and Roman soldier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-longinus-and-roman-soldier-132455034.html
RMHKDRMX–Longinus and Roman soldier
An illustration entitled Marcellus Duel with Virdumarus dated circa 1914 by John Harris Valda showing the battle between the Roman army and Gauls 222AD at Clastidium near Pavia where the Roman Consul Marcus Claudius Marcellus killed the Gallic leader Virdumarus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illustration-entitled-marcellus-duel-with-virdumarus-dated-circa-1914-by-john-harris-valda-showing-the-battle-between-the-roman-army-and-gauls-222ad-at-clastidium-near-pavia-where-the-roman-consul-marcus-claudius-marcellus-killed-the-gallic-leader-virdumarus-image402140640.html
RF2EA72DM–An illustration entitled Marcellus Duel with Virdumarus dated circa 1914 by John Harris Valda showing the battle between the Roman army and Gauls 222AD at Clastidium near Pavia where the Roman Consul Marcus Claudius Marcellus killed the Gallic leader Virdumarus
Archimedes before his death with the Roman soldier, Roman mosaic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-archimedes-before-his-death-with-the-roman-soldier-roman-mosaic-139563250.html
RMJ31J9P–Archimedes before his death with the Roman soldier, Roman mosaic
Roman Centurion Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-centurion-art-image406993081.html
RM2EJ43R5–Roman Centurion Art
Wall painting showing a young Roman soldier returning home. South Italian, Lucanian. mid-4th century B.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wall-painting-showing-a-young-roman-soldier-returning-home-south-italian-57356769.html
RMD98R41–Wall painting showing a young Roman soldier returning home. South Italian, Lucanian. mid-4th century B.C.
The Roman Soldier 1550, Rossi, Francesco del, 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-roman-soldier-1550-rossi-francesco-del-1550-176204807.html
RMM6JR0R–The Roman Soldier 1550, Rossi, Francesco del, 1550.
A Silent Greeting by Lawrence Alma-Tadema. Oil on Wood, circa 1889. The image shows a Roman Soldier leaving flowers in the lap of his lover to surprise her when she wakes. Alma-Tadema was famous for painting the everyday lives of people from bygone eras, So as to circumvent the cliche of painting Ancient Rome as a land of Gods and Heroics. His visual style is stunningly realistic, verging on the photographic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-silent-greeting-by-lawrence-alma-tadema-oil-on-wood-circa-1889-the-image68558695.html
RMDYF38R–A Silent Greeting by Lawrence Alma-Tadema. Oil on Wood, circa 1889. The image shows a Roman Soldier leaving flowers in the lap of his lover to surprise her when she wakes. Alma-Tadema was famous for painting the everyday lives of people from bygone eras, So as to circumvent the cliche of painting Ancient Rome as a land of Gods and Heroics. His visual style is stunningly realistic, verging on the photographic.
Fascist symbolic painting: A soldier offers his sword to a Roman divinity, Italy 1920s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fascist-symbolic-painting-a-soldier-offers-his-sword-to-a-roman-divinity-italy-1920s-image451504000.html
RM2H6FNXT–Fascist symbolic painting: A soldier offers his sword to a Roman divinity, Italy 1920s
A monumental stone with Roman S.P.Q.R. motto is crowned with three crowns, The stone is flanked by Fame with a trumpet, dressed as a Roman soldier, and the Painting with paint stick, brushes and palette, which crowns the stone with a laurel wreath, Title print a series of Roman ruins and coastal scenery to a series by Willem van Nieulandt, Willem van Nieulandt (II) (mentioned on object), Dating 1618 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-monumental-stone-with-roman-spqr-motto-is-crowned-with-three-crowns-the-stone-is-flanked-by-fame-with-a-trumpet-dressed-as-a-roman-soldier-and-the-painting-with-paint-stick-brushes-and-palette-which-crowns-the-stone-with-a-laurel-wreath-title-print-a-series-of-roman-ruins-and-coastal-scenery-to-a-series-by-willem-van-nieulandt-willem-van-nieulandt-ii-mentioned-on-object-dating-1618-image240637567.html
RMRYDYJR–A monumental stone with Roman S.P.Q.R. motto is crowned with three crowns, The stone is flanked by Fame with a trumpet, dressed as a Roman soldier, and the Painting with paint stick, brushes and palette, which crowns the stone with a laurel wreath, Title print a series of Roman ruins and coastal scenery to a series by Willem van Nieulandt, Willem van Nieulandt (II) (mentioned on object), Dating 1618
Lucanian Painted Tomb or Roman Painting of A Warrior's Homecoming or Roman Soldier or Cavalryman on Horseback Andriulo, Paestum 370-360BC Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucanian-painted-tomb-or-roman-painting-of-a-warriors-homecoming-or-roman-soldier-or-cavalryman-on-horseback-andriulo-paestum-370-360bc-italy-image330374065.html
RM2A5DRDN–Lucanian Painted Tomb or Roman Painting of A Warrior's Homecoming or Roman Soldier or Cavalryman on Horseback Andriulo, Paestum 370-360BC Italy
The death of Archimedes during the Siege of Syracuse when he was killed by a Roman soldier for not replying to a question, despite orders that he should not be harmed. Archimedes of Syracuse, c. 287 – c. 212 BC. Greek mathematician, physicist, engineer, inventor, and astronomer. After the painting by Allan Stewart, (1865-1951). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-death-of-archimedes-during-the-siege-of-syracuse-when-he-was-killed-164649868.html
RMKFTCGC–The death of Archimedes during the Siege of Syracuse when he was killed by a Roman soldier for not replying to a question, despite orders that he should not be harmed. Archimedes of Syracuse, c. 287 – c. 212 BC. Greek mathematician, physicist, engineer, inventor, and astronomer. After the painting by Allan Stewart, (1865-1951). From Hutchinson's History of the Nations, published 1915.
Painted mural of soldiers on a wall, Beaufort Street, Castlefield, Manchester, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painted-mural-of-soldiers-on-a-wall-beaufort-street-castlefield-manchester-17609649.html
RMB0J581–Painted mural of soldiers on a wall, Beaufort Street, Castlefield, Manchester, UK
Netherlands / Tunisia: 'The Continence of Scipio'. Oil on copper painting by Karel van Mander the Elder (1548-1606), 1600. Scipio (235–183 BCE), also known as Scipio Africanus and Scipio the Elder, was a Roman general in the Second Punic War. He is best known for defeating Hannibal and the Carthaginians at the Battle of Zama near Carthage on October 19, 202 BCE. 'The Continence of Scipio' refers to an episode in which Scipio refused a hefty ransom for a young female prisoner, instead returning her unharmed to her fiance Allucius, who in turn pledged his tribe's support to Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/netherlands-tunisia-the-continence-of-scipio-oil-on-copper-painting-by-karel-van-mander-the-elder-1548-1606-1600-scipio-235183-bce-also-known-as-scipio-africanus-and-scipio-the-elder-was-a-roman-general-in-the-second-punic-war-he-is-best-known-for-defeating-hannibal-and-the-carthaginians-at-the-battle-of-zama-near-carthage-on-october-19-202-bce-the-continence-of-scipio-refers-to-an-episode-in-which-scipio-refused-a-hefty-ransom-for-a-young-female-prisoner-instead-returning-her-unharmed-to-her-fiance-allucius-who-in-turn-pledged-his-tribes-support-to-rome-image344234821.html
RM2B0170N–Netherlands / Tunisia: 'The Continence of Scipio'. Oil on copper painting by Karel van Mander the Elder (1548-1606), 1600. Scipio (235–183 BCE), also known as Scipio Africanus and Scipio the Elder, was a Roman general in the Second Punic War. He is best known for defeating Hannibal and the Carthaginians at the Battle of Zama near Carthage on October 19, 202 BCE. 'The Continence of Scipio' refers to an episode in which Scipio refused a hefty ransom for a young female prisoner, instead returning her unharmed to her fiance Allucius, who in turn pledged his tribe's support to Rome.
The Sacrifice of Polyxena - As recounted by the Roman poet Ovid, Polyxena is led to her death at the sacrificial altar to appease the ghost of the hero Achilles. Her mother tries to restrain her while the soldier Neoptolemus raises his sword. The infant holding a chest of incense and the austere priest complete this composition. Charles Le Brun, 1647 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sacrifice-of-polyxena-as-recounted-by-the-roman-poet-ovid-polyxena-is-led-to-her-death-at-the-sacrificial-altar-to-appease-the-ghost-of-the-hero-achilles-her-mother-tries-to-restrain-her-while-the-soldier-neoptolemus-raises-his-sword-the-infant-holding-a-chest-of-incense-and-the-austere-priest-complete-this-composition-charles-le-brun-1647-image212182113.html
RMP95MCH–The Sacrifice of Polyxena - As recounted by the Roman poet Ovid, Polyxena is led to her death at the sacrificial altar to appease the ghost of the hero Achilles. Her mother tries to restrain her while the soldier Neoptolemus raises his sword. The infant holding a chest of incense and the austere priest complete this composition. Charles Le Brun, 1647
Archimedes in his garden as the Romans take Syracuse. By Donn Philip Crane (1878-1944). The Siege of Syracuse by the Roman Republic took place in 213-212 BC. The Romans successfully stormed the Hellenistic city of Syracuse after a protracted siege, giving them control of the entire island of Sicily. During the siege, the city was protected by weapons developed by Archimedes (c287-c212 BC). Archimedes was slain at the conclusion of the siege by a Roman soldier, in contravention of the Roman proconsul Marcellus's instructions to spare his life. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archimedes-in-his-garden-as-the-romans-take-syracuse-by-donn-philip-crane-1878-1944-thesiege-of-syracuseby-theroman-republictook-place-in-213-212-bctheromanssuccessfully-stormed-thehellenisticcity-ofsyracuseafter-a-protracted-siege-giving-them-control-of-the-entire-island-ofsicily-during-the-siege-the-city-was-protected-by-weapons-developed-byarchimedes-c287-c212-bc-archimedes-was-slain-at-the-conclusion-of-the-siege-by-a-roman-soldier-in-contravention-of-the-romanproconsulmarcelluss-instructions-to-spare-his-life-image592329519.html
RM2WBJX9K–Archimedes in his garden as the Romans take Syracuse. By Donn Philip Crane (1878-1944). The Siege of Syracuse by the Roman Republic took place in 213-212 BC. The Romans successfully stormed the Hellenistic city of Syracuse after a protracted siege, giving them control of the entire island of Sicily. During the siege, the city was protected by weapons developed by Archimedes (c287-c212 BC). Archimedes was slain at the conclusion of the siege by a Roman soldier, in contravention of the Roman proconsul Marcellus's instructions to spare his life.
Vercingetorix (c. 80-46 BC). Painting entitled ' Vercingetorix throws down his arms at the feet of Julius Caesar' by Henri-Paul Motte (1846–1922), oil on canvas, 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vercingetorix-c-80-46-bc-painting-entitled-vercingetorix-throws-down-his-arms-at-the-feet-of-julius-caesar-by-henri-paul-motte-18461922-oil-on-canvas-1899-image504028542.html
RM2M80DFA–Vercingetorix (c. 80-46 BC). Painting entitled ' Vercingetorix throws down his arms at the feet of Julius Caesar' by Henri-Paul Motte (1846–1922), oil on canvas, 1899
Julius Caesar crossing the Rubicon. Gaius Julius Caesar (100 BC-44 BC) was a Roman general, statesman and Consul. Caesar crossed the Rubicon with his legion as a mark of defiance in 49 BC. Leaving his province he illegally entered Roman territory under arms. This led to civil war, which saw him emerge as the unrivaled leader of Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/julius-caesar-crossing-the-rubicon-gaius-julius-caesar-100bc-44bc-was-a-roman-general-statesman-and-consul-caesar-crossed-the-rubicon-with-his-legion-as-a-mark-of-defiance-in-49-bc-leaving-his-province-he-illegally-entered-roman-territory-under-arms-this-led-to-civil-war-which-saw-him-emerge-as-the-unrivaled-leader-of-rome-image256811624.html
RMTWPNRM–Julius Caesar crossing the Rubicon. Gaius Julius Caesar (100 BC-44 BC) was a Roman general, statesman and Consul. Caesar crossed the Rubicon with his legion as a mark of defiance in 49 BC. Leaving his province he illegally entered Roman territory under arms. This led to civil war, which saw him emerge as the unrivaled leader of Rome.
A Roman Triumphal Entry, Possibly of Marcus Claudius Marcellus by Italian painter Vincenzo Camuccini (1771-1844) painted in 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-roman-triumphal-entry-possibly-of-marcus-claudius-marcellus-by-italian-painter-vincenzo-camuccini-1771-1844-painted-in-1816-image491716696.html
RM2KFYHJG–A Roman Triumphal Entry, Possibly of Marcus Claudius Marcellus by Italian painter Vincenzo Camuccini (1771-1844) painted in 1816.
Illustration from a painting in the tomb of a soldier named Caricus in the catacomb of Gnostic heretics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-from-a-painting-in-the-tomb-of-a-soldier-named-caricus-39161166.html
RMC7KXD2–Illustration from a painting in the tomb of a soldier named Caricus in the catacomb of Gnostic heretics
Ancient roman painting depicting a king and his soldier arresting an old man in Mårslet church, Denmark, June 22, 2015 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-roman-painting-depicting-a-king-and-his-soldier-arresting-an-old-man-in-mrslet-church-denmark-june-22-2015-image543482303.html
RF2PG5N67–Ancient roman painting depicting a king and his soldier arresting an old man in Mårslet church, Denmark, June 22, 2015
Marcus Porcius Cato, also known as Cato the Censor, the Elder and the Wise, Roman politician, writer, soldier, senator, and historian, 234–149 BC. Known for his conservatism and opposition to Hellenization. M. Porcius Cato. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-porcius-cato-also-known-as-cato-the-censor-the-elder-and-the-wise-roman-politician-writer-soldier-senator-and-historian-234149-bc-known-for-his-conservatism-and-opposition-to-hellenization-m-porcius-cato-copperplate-engraving-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image551393908.html
RM2R124FG–Marcus Porcius Cato, also known as Cato the Censor, the Elder and the Wise, Roman politician, writer, soldier, senator, and historian, 234–149 BC. Known for his conservatism and opposition to Hellenization. M. Porcius Cato. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Reproduction of antique Roman bas-relief found in Palestrina (Praeneste) Rome depicting a roman legion on board of a trireme, war vessel. Publ. on Magasin Pittoresque Paris 1848 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reproduction-of-antique-roman-bas-relief-found-in-palestrina-praeneste-rome-depicting-a-roman-legion-on-board-of-a-trireme-war-vessel-publ-on-magasin-pittoresque-paris-1848-image245839276.html
RFT7XXE4–Reproduction of antique Roman bas-relief found in Palestrina (Praeneste) Rome depicting a roman legion on board of a trireme, war vessel. Publ. on Magasin Pittoresque Paris 1848
Cleopatra and Caesar, 1866 painting by Jean-Léon Gérôme. Julius Caesar, was a Roman politician, general, and notable author of Latin prose. He played a critical role in the events that led to the demise of the Roman Republic and the rise of the Roman Empire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cleopatra-and-caesar-1866-painting-by-jean-lon-grme-julius-caesar-114499880.html
RMGJ7WNC–Cleopatra and Caesar, 1866 painting by Jean-Léon Gérôme. Julius Caesar, was a Roman politician, general, and notable author of Latin prose. He played a critical role in the events that led to the demise of the Roman Republic and the rise of the Roman Empire.
Roman Navarro (1854-1928). Spanish painter. Lancers of the Queen, 1900-1925. Museum of Fine Arts. A Coruña, Galicia, Spain. (On loan, Galician Academy of Fine Arts). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-navarro-1854-1928-spanish-painter-lancers-of-the-queen-1900-1925-museum-of-fine-arts-a-corua-galicia-spain-on-loan-galician-academy-of-fine-arts-image343519825.html
RM2AXTK15–Roman Navarro (1854-1928). Spanish painter. Lancers of the Queen, 1900-1925. Museum of Fine Arts. A Coruña, Galicia, Spain. (On loan, Galician Academy of Fine Arts).
Painting titled 'The Introduction of the Cult of Cybele' by Andrea Mantegna (1431-1506) an Italian painter and student of Roman archaeology. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-the-introduction-of-the-cult-of-cybele-by-andrea-mantegna-1431-1506-an-italian-painter-and-student-of-roman-archaeology-dated-15th-century-image257293120.html
RMTXGM00–Painting titled 'The Introduction of the Cult of Cybele' by Andrea Mantegna (1431-1506) an Italian painter and student of Roman archaeology. Dated 15th Century
A Silent Greeting by Lawrence Alma-Tadema. Oil on Wood, circa 1889. The image shows a Roman Soldier leaving flowers in the lap of his lover to surprise her when she wakes. Alma-Tadema was famous for painting the everyday lives of people from bygone eras, So as to circumvent the cliche of painting Ancient Rome as a land of Gods and Heroics. His visual style is stunningly realistic, verging on the photographic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-silent-greeting-by-lawrence-alma-tadema-oil-on-wood-circa-1889-the-image68558698.html
RMDYF38X–A Silent Greeting by Lawrence Alma-Tadema. Oil on Wood, circa 1889. The image shows a Roman Soldier leaving flowers in the lap of his lover to surprise her when she wakes. Alma-Tadema was famous for painting the everyday lives of people from bygone eras, So as to circumvent the cliche of painting Ancient Rome as a land of Gods and Heroics. His visual style is stunningly realistic, verging on the photographic.
ROMAN WARFARE. /nThe catapult. 19th century wood engraving after a painting by Sir Edward John Poynter, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-warfare-nthe-catapult-19th-century-wood-engraving-after-a-painting-95449612.html
RMFF82XM–ROMAN WARFARE. /nThe catapult. 19th century wood engraving after a painting by Sir Edward John Poynter, 1868.
On and Off Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-on-and-off-23998249.html
RMBB1609–On and Off
Lucanian Painted Tomb or Roman Painting of A Warrior's Homecoming or Roman Soldier or Cavalryman on Horseback Andriulo, Paestum 370-360BC Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucanian-painted-tomb-or-roman-painting-of-a-warriors-homecoming-or-roman-soldier-or-cavalryman-on-horseback-andriulo-paestum-370-360bc-italy-image330374039.html
RM2A5DRCR–Lucanian Painted Tomb or Roman Painting of A Warrior's Homecoming or Roman Soldier or Cavalryman on Horseback Andriulo, Paestum 370-360BC Italy
Netherlands / Tunisia: 'The Continence of Scipio'. Oil on copper painting by Karel van Mander the Elder (1548-1606), 1600. Scipio (235–183 BCE), also known as Scipio Africanus and Scipio the Elder, was a Roman general in the Second Punic War. He is best known for defeating Hannibal and the Carthaginians at the Battle of Zama near Carthage on October 19, 202 BCE. 'The Continence of Scipio' refers to an episode in which Scipio refused a hefty ransom for a young female prisoner, instead returning her unharmed to her fiance Allucius, who in turn pledged his tribe's support to Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/netherlands-tunisia-the-continence-of-scipio-oil-on-copper-painting-by-karel-van-mander-the-elder-1548-1606-1600-scipio-235183-bce-also-known-as-scipio-africanus-and-scipio-the-elder-was-a-roman-general-in-the-second-punic-war-he-is-best-known-for-defeating-hannibal-and-the-carthaginians-at-the-battle-of-zama-near-carthage-on-october-19-202-bce-the-continence-of-scipio-refers-to-an-episode-in-which-scipio-refused-a-hefty-ransom-for-a-young-female-prisoner-instead-returning-her-unharmed-to-her-fiance-allucius-who-in-turn-pledged-his-tribes-support-to-rome-image609437878.html
RM2XBE86E–Netherlands / Tunisia: 'The Continence of Scipio'. Oil on copper painting by Karel van Mander the Elder (1548-1606), 1600. Scipio (235–183 BCE), also known as Scipio Africanus and Scipio the Elder, was a Roman general in the Second Punic War. He is best known for defeating Hannibal and the Carthaginians at the Battle of Zama near Carthage on October 19, 202 BCE. 'The Continence of Scipio' refers to an episode in which Scipio refused a hefty ransom for a young female prisoner, instead returning her unharmed to her fiance Allucius, who in turn pledged his tribe's support to Rome.
Painted mural of soldiers on a wall, Beaufort Street, Castlefield, Manchester, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painted-mural-of-soldiers-on-a-wall-beaufort-street-castlefield-manchester-17609739.html
RMB0J5B7–Painted mural of soldiers on a wall, Beaufort Street, Castlefield, Manchester, UK
Breaking Wheel, Execution Wheel or Catherine Wheel. Torture or Punishment of Christian Martyr by Roman Soldiers. Fresco or Wall Painting in the Narthex of Dionysiou Monastery Mount Athos Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/breaking-wheel-execution-wheel-or-catherine-wheel-torture-or-punishment-image65848333.html
RMDR3J65–Breaking Wheel, Execution Wheel or Catherine Wheel. Torture or Punishment of Christian Martyr by Roman Soldiers. Fresco or Wall Painting in the Narthex of Dionysiou Monastery Mount Athos Greece
Roman soldier, school istige, Sacro Monte di Vare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-soldier-school-istige-sacro-monte-di-vare-image552667416.html
RM2R344X0–Roman soldier, school istige, Sacro Monte di Vare
Colorful abstract painting with graffiti-style scribbles in the background. In the middle is a Roman or possibly Greek soldier from antiquity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colorful-abstract-painting-with-graffiti-style-scribbles-in-the-background-in-the-middle-is-a-roman-or-possibly-greek-soldier-from-antiquity-image626382399.html
RF2YB253Y–Colorful abstract painting with graffiti-style scribbles in the background. In the middle is a Roman or possibly Greek soldier from antiquity
Vercingetorix (c. 80-46 BC). Painting entitled ' Vercingetorix Surrenders to Caesar' by Henri-Paul Motte (1846–1922), 1886 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vercingetorix-c-80-46-bc-painting-entitled-vercingetorix-surrenders-to-caesar-by-henri-paul-motte-18461922-1886-image504028540.html
RM2M80DF8–Vercingetorix (c. 80-46 BC). Painting entitled ' Vercingetorix Surrenders to Caesar' by Henri-Paul Motte (1846–1922), 1886
Alfred the Great Rebuilding the Walls of London. King Alfred the Great (849-899) reinstating the Roman walls around London. Alfred the Great reestablished English control of London in 886, renewing its fortifications. The old Roman walls were repaired and the defensive ditch was recut, the old Roman city becaming the main site of population. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alfred-the-great-rebuilding-the-walls-of-london-king-alfred-the-great-849-899-reinstating-the-roman-walls-around-london-alfred-the-great-reestablished-english-control-of-london-in-886-renewing-its-fortifications-the-old-roman-walls-were-repaired-and-the-defensive-ditch-was-recut-the-old-roman-city-becaming-the-main-site-of-population-image247321016.html
RMTAACDC–Alfred the Great Rebuilding the Walls of London. King Alfred the Great (849-899) reinstating the Roman walls around London. Alfred the Great reestablished English control of London in 886, renewing its fortifications. The old Roman walls were repaired and the defensive ditch was recut, the old Roman city becaming the main site of population.
The Battle of Telamon between the Roman Republic and an alliance of Celtic tribes in 225 BC. After the painting by Allan Stewart, (1865-1951). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-battle-of-telamon-between-the-roman-republic-and-an-alliance-of-136231967.html
RMHWHW7B–The Battle of Telamon between the Roman Republic and an alliance of Celtic tribes in 225 BC. After the painting by Allan Stewart, (1865-1951). From Hutchinson's History of the Nations, published 1915.
Comic Sketch by T S Seccombe showing a Roman Soldier and his Sweetheart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-comic-sketch-by-t-s-seccombe-showing-a-roman-soldier-and-his-sweetheart-49873068.html
RMCW3WH0–Comic Sketch by T S Seccombe showing a Roman Soldier and his Sweetheart
Warrior depicted in the Roman fresco in the summer triclinium (Roman dining room) of the House of the Ephebe (Casa dell'Efebo) in the archaeological site of Pompeii (Pompei) near Naples, Campania, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/warrior-depicted-in-the-roman-fresco-in-the-summer-triclinium-roman-dining-room-of-the-house-of-the-ephebe-casa-dellefebo-in-the-archaeological-site-of-pompeii-pompei-near-naples-campania-italy-image208989895.html
RMP408MR–Warrior depicted in the Roman fresco in the summer triclinium (Roman dining room) of the House of the Ephebe (Casa dell'Efebo) in the archaeological site of Pompeii (Pompei) near Naples, Campania, Italy.
Roman soldier from a Calvary group Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-soldier-from-a-calvary-group-132455033.html
RMHKDRMW–Roman soldier from a Calvary group
EDITORIAL The triumphal return of Scipio to Rome in 202 BC. Publius Cornelius Scipio Africanus, 236–183 BC, aka Scipio the African, Scipio Africanus-Major, Scipio Africanus the Elder and Scipio the Great. Roman general and later consul. After the painting by W.S. Bagdatopoulus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/editorial-the-triumphal-return-of-scipio-to-rome-in-202-bc-publius-cornelius-scipio-africanus-236183-bc-aka-scipio-the-african-scipio-africanus-major-scipio-africanus-the-elder-and-scipio-the-great-roman-general-and-later-consul-after-the-painting-by-ws-bagdatopoulus-image601450209.html
RM2WXEBTH–EDITORIAL The triumphal return of Scipio to Rome in 202 BC. Publius Cornelius Scipio Africanus, 236–183 BC, aka Scipio the African, Scipio Africanus-Major, Scipio Africanus the Elder and Scipio the Great. Roman general and later consul. After the painting by W.S. Bagdatopoulus.
Henryk Siemiradzki (1843-1902). Polish painter. The Christian Dirce, 1897. National Museum. Warsaw. Poland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henryk-siemiradzki-1843-1902-polish-painter-the-christian-dirce-1897-national-museum-warsaw-poland-image247376910.html
RMTACYNJ–Henryk Siemiradzki (1843-1902). Polish painter. The Christian Dirce, 1897. National Museum. Warsaw. Poland.
St Michael and the Dragon by Guido Reni. Michael came to represent the triumph of light over darkness as interpreted by the Christian Church, in the teachings of which he came to embody the triumph of Christ over anti-Christ. Guido Reni’s resplendently theatrical depiction here of St Michael slaying the dragon shows Michael as part Roman soldier, part ballet dancer. It was painted in 1635 and can be seen in the church of Santa Maria della Consolazione in Rome. The picture is a beautiful example of Reni’s late style, which was repeatedly admired by his contemporaries for what they called “grazi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michael-and-the-dragon-by-guido-reni-michael-came-to-represent-the-triumph-of-light-over-darkness-as-interpreted-by-the-christian-church-in-the-teachings-of-which-he-came-to-embody-the-triumph-of-christ-over-anti-christguido-renis-resplendently-theatrical-depiction-here-of-st-michael-slaying-the-dragon-shows-michael-as-part-roman-soldier-part-ballet-dancer-it-was-painted-in-1635-and-can-be-seen-in-the-church-of-santa-maria-della-consolazione-in-rome-the-picture-is-a-beautiful-example-of-renis-late-style-which-was-repeatedly-admired-by-his-contemporaries-for-what-they-called-grazi-image382558109.html
RF2D6B0NH–St Michael and the Dragon by Guido Reni. Michael came to represent the triumph of light over darkness as interpreted by the Christian Church, in the teachings of which he came to embody the triumph of Christ over anti-Christ. Guido Reni’s resplendently theatrical depiction here of St Michael slaying the dragon shows Michael as part Roman soldier, part ballet dancer. It was painted in 1635 and can be seen in the church of Santa Maria della Consolazione in Rome. The picture is a beautiful example of Reni’s late style, which was repeatedly admired by his contemporaries for what they called “grazi
Cleopatra before Julius Caesar. By Donn Philip Crane (1878-1944). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cleopatra-before-julius-caesar-by-donn-philip-crane-1878-1944-image592329514.html
RM2WBJX9E–Cleopatra before Julius Caesar. By Donn Philip Crane (1878-1944).
A Silent Greeting by Lawrence Alma-Tadema. Oil on Wood, circa 1889. The image shows a Roman Soldier leaving flowers in the lap of his lover to surprise her when she wakes. Alma-Tadema was famous for painting the everyday lives of people from bygone eras, So as to circumvent the cliche of painting Ancient Rome as a land of Gods and Heroics. His visual style is stunningly realistic, verging on the photographic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-silent-greeting-by-lawrence-alma-tadema-oil-on-wood-circa-1889-the-image68558693.html
RMDYF38N–A Silent Greeting by Lawrence Alma-Tadema. Oil on Wood, circa 1889. The image shows a Roman Soldier leaving flowers in the lap of his lover to surprise her when she wakes. Alma-Tadema was famous for painting the everyday lives of people from bygone eras, So as to circumvent the cliche of painting Ancient Rome as a land of Gods and Heroics. His visual style is stunningly realistic, verging on the photographic.
Painting depicting Christian soldiers declaring their faith before Decius (201-251) Roman Emperor. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-depicting-christian-soldiers-declaring-their-faith-before-104177643.html
RMG1DKJ3–Painting depicting Christian soldiers declaring their faith before Decius (201-251) Roman Emperor.
Ancient Rome, battle of the Roman army against Pyrrhus, king of Epirus, and his elephants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-rome-battle-of-the-roman-army-against-pyrrhus-king-of-epirus-and-his-elephants-image443218064.html
RM2GN294G–Ancient Rome, battle of the Roman army against Pyrrhus, king of Epirus, and his elephants
Capuchon with plume from a manuscript of Roman de Lancelot du Lac 5, capuchon from a manuscript of Terence 6, soldier in helmet from a painting in the church of Saint-Jean, Mouza 7, and chaperon of an Italian magistrate from Siena. Coiffures d'hommes, XIVe siecle. Handcoloured woodcut engraving from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capuchon-with-plume-from-a-manuscript-of-roman-de-lancelot-du-lac-5-capuchon-from-a-manuscript-of-terence-6-soldier-in-helmet-from-a-painting-in-the-church-of-saint-jean-mouza-7-and-chaperon-of-an-italian-magistrate-from-siena-coiffures-dhommes-xive-siecle-handcoloured-woodcut-engraving-from-jacques-joseph-van-beverens-costume-du-moyen-age-medieval-costume-librairie-historique-artistique-brussels-1847-image575988309.html
RM2TD2EY1–Capuchon with plume from a manuscript of Roman de Lancelot du Lac 5, capuchon from a manuscript of Terence 6, soldier in helmet from a painting in the church of Saint-Jean, Mouza 7, and chaperon of an Italian magistrate from Siena. Coiffures d'hommes, XIVe siecle. Handcoloured woodcut engraving from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
Roman soldier,Townhall, Market Square, Basel, Switzerland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-soldiertownhall-market-square-basel-switzerland-49706980.html
The Crucifixion with the Converted Centurion, painting by Lucas Cranach the Elder, 1538 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-with-the-convertedcenturion-painting-by-lucas-cranach-the-elder-1538-image450322145.html
RM2H4HXDN–The Crucifixion with the Converted Centurion, painting by Lucas Cranach the Elder, 1538
Cicero Denounces Catiline, fresco by Cesare Maccari, 1882–88. Marcus Tullius Cicero was a Roman philosopher, politician, lawyer, orator, political theorist, consul, and constitutionalist. He came from a wealthy municipal family of the Roman equestrian order, and was one of Rome's greatest orators and prose stylists. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cicero-denounces-catiline-fresco-by-cesare-maccari-188288-marcus-tullius-114499875.html
RMGJ7WN7–Cicero Denounces Catiline, fresco by Cesare Maccari, 1882–88. Marcus Tullius Cicero was a Roman philosopher, politician, lawyer, orator, political theorist, consul, and constitutionalist. He came from a wealthy municipal family of the Roman equestrian order, and was one of Rome's greatest orators and prose stylists.
Edward John Poynter, Faithful Unto Death, painting in oil on canvas, 1865 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edward-john-poynter-faithful-unto-death-painting-in-oil-on-canvas-1865-image605452939.html
RM2X50NB7–Edward John Poynter, Faithful Unto Death, painting in oil on canvas, 1865
Scipio Africanus Freeing Massiva painted by Giovanni Battista Tiepolo. Publius Cornelius Scipio Africanus (236–183 BC), also known as Scipio the African, Scipio Africanus-Major, Scipio Africanus the Elder, and Scipio the Great, was a Roman general and later consul who is often regarded as one of the greatest generals and military strategists of all time. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scipio-africanus-freeing-massiva-painted-by-giovanni-battista-tiepolo-114499975.html
RMGJ7WTR–Scipio Africanus Freeing Massiva painted by Giovanni Battista Tiepolo. Publius Cornelius Scipio Africanus (236–183 BC), also known as Scipio the African, Scipio Africanus-Major, Scipio Africanus the Elder, and Scipio the Great, was a Roman general and later consul who is often regarded as one of the greatest generals and military strategists of all time.
Tiziano Vecellio, called Titian (1488/1490-1576). Italian painter. Ecce Homo, 1543. Italian Mannerism style. Created for the Flemish merchant Giovanni d'Anna. 3610 x 2420 cm. Kunsthistorisches Museum, Vienna. Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiziano-vecellio-called-titian-14881490-1576-italian-painter-ecce-homo-1543-italian-mannerism-style-created-for-the-flemish-merchant-giovanni-danna-3610-x-2420-cm-kunsthistorisches-museum-vienna-austria-image224056498.html
RMR0EJ9P–Tiziano Vecellio, called Titian (1488/1490-1576). Italian painter. Ecce Homo, 1543. Italian Mannerism style. Created for the Flemish merchant Giovanni d'Anna. 3610 x 2420 cm. Kunsthistorisches Museum, Vienna. Austria.
The capture of Valerian at the Battle of Edessa in AD 260 by Shapur I. Shapur I, aka Shapur I the Great. Second shahanshah (king of kings) of the Sasanian Empire. Valerian, c.193/195/200 – 260/264, aka Valerian the Elder. Roman Emperor. After a painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-capture-of-valerian-at-the-battle-of-edessa-in-ad-260-by-shapur-i-shapur-i-aka-shapur-i-the-great-second-shahanshah-king-of-kings-of-the-sasanian-empire-valerian-c193195200-260264-aka-valerian-the-elder-roman-emperor-after-a-painting-by-ws-bagdatopoulus-1888-1965-from-hutchinsons-history-of-the-nations-published-1915-image178829774.html
RMMAXB5J–The capture of Valerian at the Battle of Edessa in AD 260 by Shapur I. Shapur I, aka Shapur I the Great. Second shahanshah (king of kings) of the Sasanian Empire. Valerian, c.193/195/200 – 260/264, aka Valerian the Elder. Roman Emperor. After a painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915
Comic Sketch by T S Seccombe showing a Roman Soldier and his crying Sweetheart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-comic-sketch-by-t-s-seccombe-showing-a-roman-soldier-and-his-crying-49873073.html
RMCW3WH5–Comic Sketch by T S Seccombe showing a Roman Soldier and his crying Sweetheart
Painting titled 'The Agony in the Garden' by Giovanni Bellini (1430-1516) an Italian Renaissance painter. Dated 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-the-agony-in-the-garden-by-giovanni-bellini-1430-1516-an-italian-renaissance-painter-dated-16th-century-image257293090.html
RMTXGKXX–Painting titled 'The Agony in the Garden' by Giovanni Bellini (1430-1516) an Italian Renaissance painter. Dated 16th Century
Portrait of an ancient soldier looking hard and brave with his beard. Giacomo Medici (1817 - 1882) Italian soldier and patriot. By E. Matania on Garibaldi e i Suoi Tempi Milan Italy 1884 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-ancient-soldier-looking-hard-and-brave-with-his-beard-image157380576.html
RFK418ET–Portrait of an ancient soldier looking hard and brave with his beard. Giacomo Medici (1817 - 1882) Italian soldier and patriot. By E. Matania on Garibaldi e i Suoi Tempi Milan Italy 1884
Knights and Soldiers playing Dice for Christ's Robe 1477-78 Derick Baegert 1440 Wesel 1515 German Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knights-and-soldiers-playing-dice-for-christs-robe-1477-78-derick-image69515194.html
RME12K9E–Knights and Soldiers playing Dice for Christ's Robe 1477-78 Derick Baegert 1440 Wesel 1515 German Germany
ActiveMuseum 0006005.jpg / Corolian in the camp of the Volscians, prayed by his mum Veturia, Volumnia his wife and children, to take back command of the Roman army, depicting an episode in the history of Corlotan told by Plutarch and Livy 05/12/2013 - / 18th century Collection / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-activemuseum-0006005jpg-corolian-in-the-camp-of-the-volscians-prayed-80495138.html
RMEJXTAA–ActiveMuseum 0006005.jpg / Corolian in the camp of the Volscians, prayed by his mum Veturia, Volumnia his wife and children, to take back command of the Roman army, depicting an episode in the history of Corlotan told by Plutarch and Livy 05/12/2013 - / 18th century Collection / Active Museum
ARCHIMEDES (287?-212 B.C.). /nGreek mathematician and inventor. The death of Archimedes at the hands of a Roman soldier whose challenge he ignored while absorbed in a mathematical problem: steel engraving, 19th century, after a painting by Pierfrancesco M Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-archimedes-287-212-bc-ngreek-mathematician-and-inventor-the-death-95496359.html
RMFFA6G7–ARCHIMEDES (287?-212 B.C.). /nGreek mathematician and inventor. The death of Archimedes at the hands of a Roman soldier whose challenge he ignored while absorbed in a mathematical problem: steel engraving, 19th century, after a painting by Pierfrancesco M
Caesar marches at the head of his legion in the invasion and conquest of Gaul. The Gallic Wars were waged between 58 and 50 BC by the Roman general Julius Caesar (100BC-44BC), against the peoples of Gaul. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caesar-marches-at-the-head-of-his-legion-in-the-invasion-and-conquest-of-gaul-thegallic-warswere-waged-between-58-and-50bc-by-the-roman-generaljulius-caesar-100bc-44bc-against-the-peoples-ofgaul-image592329511.html
RM2WBJX9B–Caesar marches at the head of his legion in the invasion and conquest of Gaul. The Gallic Wars were waged between 58 and 50 BC by the Roman general Julius Caesar (100BC-44BC), against the peoples of Gaul.
Tunisia / Italy: Hannibal's army crossing the Alps during the Second Punic War (218-201 BCE). Woodcut print by Heinrich Leutemann (1824-1905), 1866. The Second Punic War (218 BCE - 201 BCE) is most remembered for the Carthaginian Hannibal's crossing of the Alps. He and his army invaded Italy from the north and resoundingly defeated the Roman army in several battles, but never achieved the ultimate goal of causing a political break between Rome and its allies. While fighting Hannibal in Italy, Hispania and Sicily, Rome also simultaneously fought against Macedon in the First Macedonian War. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tunisia-italy-hannibals-army-crossing-the-alps-during-the-second-punic-war-218-201-bce-woodcut-print-by-heinrich-leutemann-1824-1905-1866-the-second-punic-war-218-bce-201-bce-is-most-remembered-for-the-carthaginian-hannibals-crossing-of-the-alps-he-and-his-army-invaded-italy-from-the-north-and-resoundingly-defeated-the-roman-army-in-several-battles-but-never-achieved-the-ultimate-goal-of-causing-a-political-break-between-rome-and-its-allies-while-fighting-hannibal-in-italy-hispania-and-sicily-rome-also-simultaneously-fought-against-macedon-in-the-first-macedonian-war-image501779611.html
RM2M4A10B–Tunisia / Italy: Hannibal's army crossing the Alps during the Second Punic War (218-201 BCE). Woodcut print by Heinrich Leutemann (1824-1905), 1866. The Second Punic War (218 BCE - 201 BCE) is most remembered for the Carthaginian Hannibal's crossing of the Alps. He and his army invaded Italy from the north and resoundingly defeated the Roman army in several battles, but never achieved the ultimate goal of causing a political break between Rome and its allies. While fighting Hannibal in Italy, Hispania and Sicily, Rome also simultaneously fought against Macedon in the First Macedonian War.
'The Maid'. By Frank Craig (1874-1918). Joan of Arc (1412-1431), otherwise know as 'The Maid of Orléans'. Here the folk heroine and Roman Catholic saint is seen leading the army into battle during the Hundred Years' War. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-maid-by-frank-craig-1874-1918-joan-of-arc-1412-1431-otherwise-know-as-the-maid-of-orlans-here-the-folk-heroine-and-roman-catholic-saint-is-seen-leading-the-army-into-battle-during-the-hundred-years-war-image247321053.html
RMTAACEN–'The Maid'. By Frank Craig (1874-1918). Joan of Arc (1412-1431), otherwise know as 'The Maid of Orléans'. Here the folk heroine and Roman Catholic saint is seen leading the army into battle during the Hundred Years' War.
Painting titled 'The Introduction of the Cult of Cybele' by Andrea Mantegna (1431-1506) an Italian painter and student of Roman archaeology. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-titled-the-introduction-of-the-cult-of-cybele-by-andrea-mantegna-104173653.html
RMG1DEFH–Painting titled 'The Introduction of the Cult of Cybele' by Andrea Mantegna (1431-1506) an Italian painter and student of Roman archaeology. Dated 15th Century
Ancient Rome, centurion, soldier in armor, helmet and shield Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-rome-centurion-soldier-in-armor-helmet-and-shield-image443218571.html
RM2GN29PK–Ancient Rome, centurion, soldier in armor, helmet and shield
3d render of a funny cartoon Roman soldier character painting with a paintbrush and palette Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/3d-render-of-a-funny-cartoon-roman-soldier-character-painting-with-a-paintbrush-and-palette-image255900592.html
RFTT97PT–3d render of a funny cartoon Roman soldier character painting with a paintbrush and palette
Roman soldier,Townhall, Market Square, Basel, Switzerland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-soldiertownhall-market-square-basel-switzerland-49706978.html
Saint George (275/281 - April 23, 303 AD) was a soldier in the Roman army later venerated as a Christian martyr. He is one of the most venerated saints in the Catholic, Anglican, Eastern Orthodox, and the Oriental Orthodox churches. He is immortalized in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-george-275281-april-23-303-ad-was-a-soldier-in-the-roman-army-104016556.html
RMG16A50–Saint George (275/281 - April 23, 303 AD) was a soldier in the Roman army later venerated as a Christian martyr. He is one of the most venerated saints in the Catholic, Anglican, Eastern Orthodox, and the Oriental Orthodox churches. He is immortalized in
Man with sword and scales, possibly Scipio Africanus Major, On the left, the personified temperance pours water from a pitcher into a bowl. The victory personified crowns the Roman soldier in the center, possibly Scipio Africanus Major. In front is a river god. In the background a hilly landscape. This print is part of an album., print maker: Quirin Boel, (mentioned on object), after painting by: Schiavone, (mentioned on object), publisher: David Teniers (II), print maker: Southern Netherlands, after painting by: Italy, publisher: Brussels, 1660, paper, etching, height 167 mm × width 227 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-with-sword-and-scales-possibly-scipio-africanus-major-on-the-left-the-personified-temperance-pours-water-from-a-pitcher-into-a-bowl-the-victory-personified-crowns-the-roman-soldier-in-the-center-possibly-scipio-africanus-major-in-front-is-a-river-god-in-the-background-a-hilly-landscape-this-print-is-part-of-an-album-print-maker-quirin-boel-mentioned-on-object-after-painting-by-schiavone-mentioned-on-object-publisher-david-teniers-ii-print-maker-southern-netherlands-after-painting-by-italy-publisher-brussels-1660-paper-etching-height-167-mm-width-227-mm-image473343887.html
RM2JE2JXR–Man with sword and scales, possibly Scipio Africanus Major, On the left, the personified temperance pours water from a pitcher into a bowl. The victory personified crowns the Roman soldier in the center, possibly Scipio Africanus Major. In front is a river god. In the background a hilly landscape. This print is part of an album., print maker: Quirin Boel, (mentioned on object), after painting by: Schiavone, (mentioned on object), publisher: David Teniers (II), print maker: Southern Netherlands, after painting by: Italy, publisher: Brussels, 1660, paper, etching, height 167 mm × width 227 mm
HADRIAN'S WALL: HOUSESTEADS ROMAN FORT (VERCOVICIUM), Northumberland. Reconstruction drawing of Barrack XIII in the 2nd century AD by Philip Corke. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hadrians-wall-housesteads-roman-fort-vercovicium-northumberland-reconstruction-drawing-of-barrack-xiii-in-the-2nd-century-ad-by-philip-corke-image379785022.html
RM2D1TKJP–HADRIAN'S WALL: HOUSESTEADS ROMAN FORT (VERCOVICIUM), Northumberland. Reconstruction drawing of Barrack XIII in the 2nd century AD by Philip Corke.
Scenes from the Lives of Saints Benedict of Nursia and Anthony the Hermit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenes-from-the-lives-of-saints-benedict-of-nursia-and-anthony-the-hermit-image262731013.html
RMW7CC2D–Scenes from the Lives of Saints Benedict of Nursia and Anthony the Hermit.
The Roman soldier Longinus pierces the side of Jesus with his spear and the blood come upon his eyes, so he could see again. An old mural in Skibby ch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-roman-soldier-longinus-pierces-the-side-of-jesus-with-his-spear-and-the-blood-come-upon-his-eyes-so-he-could-see-again-an-old-mural-in-skibby-ch-image433923655.html
RF2G5XX1B–The Roman soldier Longinus pierces the side of Jesus with his spear and the blood come upon his eyes, so he could see again. An old mural in Skibby ch
A Roman military exercise in the days of Julius Caesar, testing the Testudo - a military chariot being driven onto the roof of a Testudo or Tortoise formation in order to test its strength. In the testudo formation, the men would align their shields to form a packed formation covered with shields on the front and top. After the painting by Fortunino Matania, (1881 –1963). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-roman-military-exercise-in-the-days-of-julius-caesar-testing-the-136322412.html
RMHWP0HG–A Roman military exercise in the days of Julius Caesar, testing the Testudo - a military chariot being driven onto the roof of a Testudo or Tortoise formation in order to test its strength. In the testudo formation, the men would align their shields to form a packed formation covered with shields on the front and top. After the painting by Fortunino Matania, (1881 –1963). From Hutchinson's History of the Nations, published 1915.
Illustration from a painting in the tomb of a soldier named Caricus in the catacomb of Gnostic heretics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-from-a-painting-in-the-tomb-of-a-soldier-named-caricus-39164030.html
RMC7M23A–Illustration from a painting in the tomb of a soldier named Caricus in the catacomb of Gnostic heretics
Painting titled 'The Agony in the Garden' by Benvenuto Tisi (1481-1559) a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Dated 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-the-agony-in-the-garden-by-benvenuto-tisi-1481-1559-a-late-renaissance-mannerist-italian-painter-of-the-school-of-ferrara-dated-16th-century-image257292089.html
RMTXGJK5–Painting titled 'The Agony in the Garden' by Benvenuto Tisi (1481-1559) a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Dated 16th Century
Hadrian's Wall. Reconstruction line drawing of a Roman soldier resting, with shield and pilum. Location based on Black Carts Turret (29a). Attributed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hadrians-wall-reconstruction-line-drawing-of-a-roman-soldier-resting-164117047.html
RMKF04Y3–Hadrian's Wall. Reconstruction line drawing of a Roman soldier resting, with shield and pilum. Location based on Black Carts Turret (29a). Attributed
Ancient Pompei fresco of a winged soldier with spear and shield Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-pompei-fresco-of-a-winged-soldier-with-spear-and-shield-image244768008.html
RFT6642G–Ancient Pompei fresco of a winged soldier with spear and shield
Holy land travel sight - Painting of Saint George with the spike killing the Dragon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-holy-land-travel-sight-painting-of-saint-george-with-the-spike-killing-48366691.html
RMCPK85R–Holy land travel sight - Painting of Saint George with the spike killing the Dragon
ARCHIMEDES (287?-212 B.C.). /nGreek mathematician and inventor. The death of Archimedes during the capture of Syracuse, Sicily, by Roman soldiers led by Marcellus. Wood engraving, late 19th century, after a painting by Gustave Claude ╔tienne Courtois (185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-archimedes-287-212-bc-ngreek-mathematician-and-inventor-the-death-95499647.html
RMFFAANK–ARCHIMEDES (287?-212 B.C.). /nGreek mathematician and inventor. The death of Archimedes during the capture of Syracuse, Sicily, by Roman soldiers led by Marcellus. Wood engraving, late 19th century, after a painting by Gustave Claude ╔tienne Courtois (185
Ancient Pompei fresco of a winged soldier on a chariot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-pompei-fresco-of-a-winged-soldier-on-a-chariot-image244768031.html
RFT6643B–Ancient Pompei fresco of a winged soldier on a chariot
Heiliger Sebastian oder Sebastiano (um 250 n.Chr) war ein römischer Soldat. Er wird seit dem 4. Jahrhundert als Märtyrer und Heiliger in der katholischen und den orthodoxen Kirchen verehrt, Gemälde von Andrea Mantegna, Historisch, digital restaurierte Reproduktion von einer Vorlage aus der Vergangenheit / Saint Sebastian or Sebastiano (c. 250 AD) was a Roman soldier. He is venerated as a martyr and saint in the Catholic and Orthodox churches since the 4th century, Painting by Andrea Mantegna, Historic, digitally restored reproduction from an original from the past Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heiliger-sebastian-oder-sebastiano-um-250-nchr-war-ein-rmischer-soldat-er-wird-seit-dem-4-jahrhundert-als-mrtyrer-und-heiliger-in-der-katholischen-und-den-orthodoxen-kirchen-verehrt-gemlde-von-andrea-mantegna-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-der-vergangenheit-saint-sebastian-or-sebastiano-c-250-ad-was-a-roman-soldier-he-is-venerated-as-a-martyr-and-saint-in-the-catholic-and-orthodox-churches-since-the-4th-century-painting-by-andrea-mantegna-historic-digitally-restored-reproduction-from-an-original-from-the-past-image563461056.html
RF2RMKT94–Heiliger Sebastian oder Sebastiano (um 250 n.Chr) war ein römischer Soldat. Er wird seit dem 4. Jahrhundert als Märtyrer und Heiliger in der katholischen und den orthodoxen Kirchen verehrt, Gemälde von Andrea Mantegna, Historisch, digital restaurierte Reproduktion von einer Vorlage aus der Vergangenheit / Saint Sebastian or Sebastiano (c. 250 AD) was a Roman soldier. He is venerated as a martyr and saint in the Catholic and Orthodox churches since the 4th century, Painting by Andrea Mantegna, Historic, digitally restored reproduction from an original from the past
Winged Victory making a trophy with a horned helmet above a tree trunk with young soldier crowned with leaves and wearing military garb that could be Greek or Roman. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winged-victory-making-a-trophy-with-a-horned-helmet-above-a-tree-trunk-with-young-soldier-crowned-with-leaves-and-wearing-military-garb-that-could-be-greek-or-roman-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806919.html
RM2A7R333–Winged Victory making a trophy with a horned helmet above a tree trunk with young soldier crowned with leaves and wearing military garb that could be Greek or Roman. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
Painting titled 'The Agony in the Garden' by Andrea Mantegna (1431-1506) an Italian painter and student of Roman archaeology. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-titled-the-agony-in-the-garden-by-andrea-mantegna-1431-1506-104173641.html
RMG1DEF5–Painting titled 'The Agony in the Garden' by Andrea Mantegna (1431-1506) an Italian painter and student of Roman archaeology. Dated 15th Century
Small town of Susques in National Route 52, high-altitude Andes, Puna desert, Province of Jujuy, NW Argentina, Latin America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/small-town-of-susques-in-national-route-52-high-altitude-andes-puna-desert-province-of-jujuy-nw-argentina-latin-america-image345177702.html
RM2B1G5K2–Small town of Susques in National Route 52, high-altitude Andes, Puna desert, Province of Jujuy, NW Argentina, Latin America
ActiveMuseum 0000900.jpg / Cavalry - Master of the Death of Saint Nicholas of Munster, second half of the 15th Century 25/06/2013 - / XVth century Collection / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-activemuseum-0000900jpg-cavalry-master-of-the-death-of-saint-nicholas-76108059.html
RMEBR0GY–ActiveMuseum 0000900.jpg / Cavalry - Master of the Death of Saint Nicholas of Munster, second half of the 15th Century 25/06/2013 - / XVth century Collection / Active Museum
Roman soldier,Townhall, Market Square, Basel, Switzerland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-soldiertownhall-market-square-basel-switzerland-49561342.html
Saint George (275/281 - April 23, 303 AD) was a soldier in the Roman army later venerated as a Christian martyr. He is one of the most venerated saints in the Catholic, Anglican, Eastern Orthodox, and the Oriental Orthodox churches. He is immortalized in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-george-275281-april-23-303-ad-was-a-soldier-in-the-roman-army-104016562.html
RMG16A56–Saint George (275/281 - April 23, 303 AD) was a soldier in the Roman army later venerated as a Christian martyr. He is one of the most venerated saints in the Catholic, Anglican, Eastern Orthodox, and the Oriental Orthodox churches. He is immortalized in
Man with sword and scales, possibly Scipio Africanus Major, On the left, the personified temperance pours water from a pitcher into a bowl. The victory personified crowns the Roman soldier in the center, possibly Scipio Africanus Major. In front is a river god. In the background a hilly landscape. This print is part of an album., print maker: Quirin Boel, (mentioned on object), after painting by: Schiavone, (mentioned on object), publisher: David Teniers (II), print maker: Southern Netherlands, after painting by: Italy, publisher: Brussels, 1660, paper, etching, height 167 mm × width 227 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-with-sword-and-scales-possibly-scipio-africanus-major-on-the-left-the-personified-temperance-pours-water-from-a-pitcher-into-a-bowl-the-victory-personified-crowns-the-roman-soldier-in-the-center-possibly-scipio-africanus-major-in-front-is-a-river-god-in-the-background-a-hilly-landscape-this-print-is-part-of-an-album-print-maker-quirin-boel-mentioned-on-object-after-painting-by-schiavone-mentioned-on-object-publisher-david-teniers-ii-print-maker-southern-netherlands-after-painting-by-italy-publisher-brussels-1660-paper-etching-height-167-mm-width-227-mm-image473269128.html
RM2JDY7GT–Man with sword and scales, possibly Scipio Africanus Major, On the left, the personified temperance pours water from a pitcher into a bowl. The victory personified crowns the Roman soldier in the center, possibly Scipio Africanus Major. In front is a river god. In the background a hilly landscape. This print is part of an album., print maker: Quirin Boel, (mentioned on object), after painting by: Schiavone, (mentioned on object), publisher: David Teniers (II), print maker: Southern Netherlands, after painting by: Italy, publisher: Brussels, 1660, paper, etching, height 167 mm × width 227 mm
Roman Soldier. Copy of a fragment of the painting 'The Massacre of the Innocents' by Bonifacio Veronese? 1864 by Artur Grottger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-soldier-copy-of-a-fragment-of-the-painting-the-massacre-of-the-innocents-by-bonifacio-veronese-1864-by-artur-grottger-image562442243.html
RM2RK1CPY–Roman Soldier. Copy of a fragment of the painting 'The Massacre of the Innocents' by Bonifacio Veronese? 1864 by Artur Grottger
A monumental stone with Roman S.P.Q.R. motto is crowned with three crowns, The stone is flanked by Fame with a trumpet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-monumental-stone-with-roman-spqr-motto-is-crowned-with-three-crowns-123335284.html
RMH4JBBG–A monumental stone with Roman S.P.Q.R. motto is crowned with three crowns, The stone is flanked by Fame with a trumpet
Art inspired by The Centurion, Le Centurion, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 13/16 x 5 3/16 in., 24.9 x 13.2 cm, 19th Century, armor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-centurion-le-centurion-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-9-1316-x-5-316-in-249-x-132-cm-19th-century-armor-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459560129.html
RF2HKJNHN–Art inspired by The Centurion, Le Centurion, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 13/16 x 5 3/16 in., 24.9 x 13.2 cm, 19th Century, armor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Roman colony. After the painting by J.H. Valda(d. 1941). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-roman-colony-after-the-painting-by-jh-valdad-1941-from-hutchinsons-136231779.html
RMHWHW0K–A Roman colony. After the painting by J.H. Valda(d. 1941). From Hutchinson's History of the Nations, published 1915.
Ancient Roman soldiers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-roman-soldiers-47430183.html
RMCN4HK3–Ancient Roman soldiers
Carrying the Cross, Caelaturae (series title), Christ on his knees with the cross on his shoulders, pulled by a rope around his waist. In the crowd there are grieving women, including Maria, and in the foreground Veronica holds up the sweat cloth. The procession is accompanied by a Roman soldier and men on horseback., print maker: Jeremias Falck, after painting by: Jacopo Bassano, after painting by: Paolo Veronese, (rejected attribution), print maker: Amsterdam, after painting by: Italy, after painting by: Italy, 1646 - 1658, paper, engraving, height 416 mm × width 294 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carrying-the-cross-caelaturae-series-title-christ-on-his-knees-with-the-cross-on-his-shoulders-pulled-by-a-rope-around-his-waist-in-the-crowd-there-are-grieving-women-including-maria-and-in-the-foreground-veronica-holds-up-the-sweat-cloth-the-procession-is-accompanied-by-a-roman-soldier-and-men-on-horseback-print-maker-jeremias-falck-after-painting-by-jacopo-bassano-after-painting-by-paolo-veronese-rejected-attribution-print-maker-amsterdam-after-painting-by-italy-after-painting-by-italy-1646-1658-paper-engraving-height-416-mm-width-294-mm-image599489125.html
RM2WR92DW–Carrying the Cross, Caelaturae (series title), Christ on his knees with the cross on his shoulders, pulled by a rope around his waist. In the crowd there are grieving women, including Maria, and in the foreground Veronica holds up the sweat cloth. The procession is accompanied by a Roman soldier and men on horseback., print maker: Jeremias Falck, after painting by: Jacopo Bassano, after painting by: Paolo Veronese, (rejected attribution), print maker: Amsterdam, after painting by: Italy, after painting by: Italy, 1646 - 1658, paper, engraving, height 416 mm × width 294 mm
Roman wall-painting of ships carrying soldiers. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-wall-painting-of-ships-carrying-soldiers-artist-unknown-image262774135.html
RMW7EB2F–Roman wall-painting of ships carrying soldiers. Artist: Unknown
The Centurion, Le Centurion, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 13/16 x 5 3/16 in., 24.9 x 13.2 cm, 19th Century, armor, Cape, centurion, Christ, Christianity, French, helmet, James Tissot, Jesus, lance, Life of Christ, Luke 23:47, Man, New Testament, painting, religion, religious, Roman, soldier, The Centurion, Tissot, Tissot, James, Watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-centurion-le-centurion-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-9-1316-x-5-316-in-249-x-132-cm-19th-century-armor-cape-centurion-christ-christianity-french-helmet-james-tissot-jesus-lance-life-of-christ-luke-2347-man-new-testament-painting-religion-religious-roman-soldier-the-centurion-tissot-tissot-james-watercolor-image454265377.html
RM2HB1G3D–The Centurion, Le Centurion, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 13/16 x 5 3/16 in., 24.9 x 13.2 cm, 19th Century, armor, Cape, centurion, Christ, Christianity, French, helmet, James Tissot, Jesus, lance, Life of Christ, Luke 23:47, Man, New Testament, painting, religion, religious, Roman, soldier, The Centurion, Tissot, Tissot, James, Watercolor
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